"...With two other locations in New York and Beverly Hills, Los Angeles, Sundaram Tagore Gallery represents some of the most well known contemporary artists, such as Hiroshi Senju and Judith Murray..."
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"Meditative scenes of the artist working in her studio and adding layers of paint to the large canvas . . . are paired with Murray's fascinating voice-over observations. Scenes from a 2005 New York art exhibit, slides of her work, and commentary from an art historian and other experts add depth to this illuminating program."
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"The Islip show 'Surface Impressions' features topographical works such as La Forza Del Destina "
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"Today, everything is condensed in time. What took 100 years, today takes about ten years and that's largely because of the internet revolution."
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"Murray's paintings . . . speak with sophistication and energy."
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"...What was most alluring about the recent works was the way Murray built up their surfaces to convey depth and motion. Her dexterity with paint seems to have released her creative energy and pinned it to the canvas..."
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"...The gallery, always interested in cross-cultural connections, has shown a diverse group of artists including Natvar Bhavsar, Sohan Qadri, Judith Murray, Nathan Slate Joseph, Anil Revri and Susan Weil..."
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"Bhavsar, Qadri, and Revri, are symbolic of the journeys of the artists of our times. Geographically, they have traveled out the country of their birth; artisically out of the influence of the Modernism of Matisse and Picasso, the Abstractionism of Mondrian, the Lyric Abstractionism of Pollock."
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"The goal . . . is to create a dialogue among cultures and to find points of commonality and elements that inspire new ways of thinking and creating...Curated by Sundaram Tagore"
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"[Murray] has reinvented an abstraction which is nature."
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"Murray is exploring a difficult coloristic terrain . . . These painting are confined almost courageously to a narrow range of colors with the repeated admixture of white to vary them . . ."
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"Murray's lyrical pictures are fraught with references to an earlier, distinctly French method of building up the surface. This . . . goes a long way toward explaining their emotional charge."
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