新闻报刊
The New Yorker
Forty
July 12, 2016
A review of Forty, curated by Alanna Heiss, at MoMA PS1, featuring work by STG artist Robert Yasuda.
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Art News
Review: Robert Yasuda
June 2014
Longtime abstract painter Robert Yasuda's newest works verge on the lush, with an expanded palette, richer surface tonalities, and contours that are increasingly undulant, offering a more nuanced and fluid visual experience.
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Blouin Artinfo
Interview with Robert Yasuda
Februrary, 20
Artist Robert Yasuda talks with Blouin Artinfo about the work in his new exhibition, Make Haste Slowly.
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Orientations
Asia Week New York
March 2011
Sundaram Tagore Gallery will present a group exhibition, "Facing East’, of works that transcend cultural boundaries while reflecting Eastern elements. The show represents artists of Korean, Indian, Japanese, Vietnamese, and Uzbeki-Israeli origins. These works define an aesthetic language of East-West dialogue, featuring artists Kim Joon, Nathan Slate Joseph, Sohan Qadri, Hiroshi Senju, Robert Yasuda, Nhat Tran, Amina Ahmed, and Taylor Kuffner. Through their works, these artists struggle to create a sense of beauty that is universal through a wide range of mediums.
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Art News
Robert Yasuda
September 2010
"Yasuda's paintings are like shields or tablets awaiting a future generation to record its history on them."
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South China Morning Post
Preview: Here and Now at Sundaram Tagore Gallery
March 2009
Art historian Sundaram Tagore's doctoral thesis looks at Indian artists' response to European modernisation from the 1940s to 1980s. As a curator, however, his focus is more on the here and now. Hence the title of his gallery's latest group exhibition by 18 international artists, which opens today at the Sundaram Tagore Gallery's Hong Kong branch.
新闻报刊
South China Morning Post
City Reviews: In your Mind's Eye; Sundaram Tagore Gallery
October 28, 2008
"...Less-colour-saturated but no less intuitive are the pieces by Natvar Bhavsar, who sprinkles pigment delicately on his canvases in an echo of Jackson Pollock, although the works' understated quality reflects a gentle Asian sensibility that's the opposite of the American painter's frenetic, ego-driven style..."