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Sebastião Salgado

The Global Photographer

May 24 – June 25, 2011

Sahara, Algeria [man praying] © Sebastião Salgado/Amazonas Images, 2009
Amazon Forest, State of Amazonas, Brazil © Sebastião Salgado/Amazonas Images, 2009
Arizona, USA [grand canyon] © Sebastião Salgado/Amazonas Images, 2010
Blinded by sandstorms and chronic eye infections,
Boys fleeing from southern Sudan [refugee camp] © Sebastião Salgado/Amazonas Images, 1993
Kafue National Park, Zambia [buffalos] © Sebastião Salgado/Amazonas Images, 2010
Bushmen, Botswana [Bird Man], Africa © Sebastião Salgado/Amazonas Images, 2008
Woman's head with flowers in her hair, India [coffee plantation] © Sebastião Salgado/Amazonas Images, 2003
Children's Ward in the Korem Refugee Camp © Sebastião Salgado/Amazonas Images, 1984
Dinka Cattle Camp of Amak at the End of the Day © Sebastião Salgado/Amazonas Images, 2006
Indians Fishing, Mato Grosso State, Brazil © Sebastião Salgado/Amazonas Images, 2005
Group Portrait of All the Kamayura Shamans © Sebastião Salgado/Amazonas Images, 2005
Church Gate Station, Western Railroad Line, Bombay India © Sebastião Salgado/Amazonas Images, 1995
Chinstrap Penguins, Deception Island, Antarctica © Sebastião Salgado/Amazonas Images, 2005
Mentawai Girls, Siberut Island, Indonesia © Sebastião Salgado/Amazonas Images, 2008
The Population of the Cattle Camp of Keny Walk Toward the Polio Vaccinators © Sebastião Salgado/Amazonas Images, 2001
Mentawai Man, Siberut Island, Indonesia © Sebastião Salgado/Amazonas Images, 2008
This Used to be the Large Lake Faguibine © Sebastião Salgado/Amazonas Images, 1985
Zo'e Group, State of Para, Brazil © Sebastião Salgado/Amazonas Images, 2009
Worker Resting, Covered in Oil, Oil Wells, Kuwait © Sebastião Salgado/Amazonas Images, 1991
Dinka Group at Pagarau Cattle Camp © Sebastião Salgado/Amazonas Images, 2006
Iceberg Between Paulet Islands and the Shetland Islands, Antarctica © Sebastião Salgado/Amazonas Images, 2005
Marine Iguana, Rabida Island, the Galapagos © Sebastião Salgado/Amazonas Images, 2004
Mountain Zebra © Sebastião Salgado/Amazonas Images, 2005
Dinka Man at the Cattle Camp of Kei © Sebastião Salgado/Amazonas Images, 2006
The Gold Mine, Serra Pelada, Brazil © Sebastião Salgado/Amazonas Images, 1986
Rwandan Refugee Camp at Benako. Early in the Morning, Thousands of Rwandans Walk to the Lake Near the Camp to Collect Water; Tanzania © Sebastião Salgado/Amazonas Images, 1994
Boat People, Beach of Vung Tau, Vietnam © Sebastião Salgado/Amazonas Images, 1995

Press Release

Sebastião Salgado, one of the world’s most respected photographers, is to have his first solo exhibition in Hong Kong. Salgado has made it his life’s work to document the impact of globalization on humankind. His hauntingly beautiful black-and-white prints lay bare some of the bleakest moments of modern history. His images tell the story of Vietnamese boat people, Rwandan refugees, Indian coffee growers, and countless other impoverished individuals. This unprecedented exhibition unveils new work from his Genesis series, featuring images of majestic landscapes and ancient civilizations. A selection of iconic works from earlier in his career will also be on view.

In the past three decades, Salgado has travelled to more than 100 countries for his photographic projects. Breaking down barriers, he lives with his subjects for weeks, immersing himself in their environments. He sees himself as a participant entering their story. Salgado describes this approach as photographing from inside the circle. Each of his images is infused with empathy and respect for his subjects. Within a single frame, he captures the fragility and the fortitude of the human spirit.

The intensity of Salgado’s process is unparalleled. He devotes years to each series to grasp the full scope of his topic. His Migrations series, for instance, spanned 1993 to 1999. Salgado’s subjects were refugees and peasants. Among his most renowned works is Church Gate Station, Western Railroad Line, Bombay, India, 1995, picturing surging crowds of commuters and migrants flowing in and out of the Indian railway terminal.

Throughout his career, Salgado has worked primarily with a 35mm Leica camera shooting in sharp-contrast black and white. Oftentimes, Salgado backlights his subjects and allows streams of natural light to filter through his compositions. The resulting texture softens his subject matter and contributes to the veracity of his images. In 2004, Salgado began using a 645 medium-format camera for his series Genesis, which chronicles landscapes, wildlife, and communities living in accordance with their ancient traditions.

Sahara, Algeria, 2009, is a recent work from Genesis. Salgado managed to follow a lone devotee who journeyed into the sand dunes to pray. “We have lost touch with the essence of life on earth,” Salgado says. “I conceive this project as a potential path towards humanity’s rediscovery of itself in nature.” Other images from the same series include landscapes of surreal icebergs drifting in Antarctica and portraits of the isolated Zo’é tribe in Brazil. Salgado’s greatest strength lies in his ability to capture such remote realities.

Sebastião Salgado is Brazilian-born and based in Paris. He was born in Aimorés, in the state of Minas Gerais, in 1944. It was a period of upheaval and change. The country was swept by urbanization and close to 80 percent of the population left the fields and poured into the cities. In 1963, Salgado moved to São Paulo and trained as an economist. It was not until the early 1970s, after his wife loaned him a camera, that he embarked on a career as a photographer, eventually relocating to Paris. Salgado says given his childhood and background in economics that it was only natural that he become a photographer gravitating toward humanistic themes.

Salgado has had numerous exhibitions in influential museums across the globe. Among his many honors, Salgado has been named a UNICEF Goodwill Ambassador and an honorary member of the Academy of the Arts and Sciences in the United States. Since the 1990s Salgado and his wife, Lélia Wanick Salgado, have been restoring a 676-hectare portion of the Atlantic Forest in Brazil. In 1998 they founded the non-profit Instituto Terra, an organization focused on reforestation and environmental education.

Sebastião Salgado
艺术家
Sebastião Salgado
Sebastiao Salgado
出版刊物
Sebastiao Salgado
The Global Photographer
Gafencu Men
新闻报刊
Gafencu Men
The Look of Genesis JUNE 2011

Sebastião Salgado, one of the world’s most respected photographers, is set to debut his latest work—the Genesis series—in Hong Kong with a solo exhibition at the Sundaram Tagore Gallery.

South China Morning Post
新闻报刊
South China Morning Post
Humanity Laid Bare May 2011

The faces and scenes we meet through Sebastiao Salgado's lens are haunting: Indian coffee growers, Vietnamese boatpoeple, forgotten landscapes and the impact of globalisation on humankind. Salgado, a Brazilian has been called the work's most important photographer of the early 21st Century. This week his debut solo exhibition in Hong Kong opened at Sundaram Tagore Gallery in Central.

Time Out Hong Kong
新闻报刊
Time Out Hong Kong
Unearthly Pursuits May 2011

Sebastiao Salgado is always on the go. An economist by trade before taking up an acclaimed career in photograhy, the 67-year-old Brazilian has been taking his poetic vision to every last shore on which human civilisation meets the natural world.

The Wall Street Journal
新闻报刊
The Wall Street Journal
Sundaram Tagore Focuses on Hong Kong MAY 2011

At the time, Mr. Tagore was one of the first international gallery owners to open a space in the city. Since then several foreign galleries have followed, including Gagosian Gallery and Ben Brown Fine Arts. “Hong Kong has become an important artistic center,” said Mr. Tagore. “There is an audience here that has a voracious appetite for art.”

Black & White Magazine
新闻报刊
Black & White Magazine
Salgado's Africa October 2008

For more than 30 years, Brazilian photojournalist Sebastião Salgado has been a roving prophet with a camera, alerting the developed world to the consequences - unintended and otherwise - of unchecked globalization. But no matter how harrowing the journey has become, his eloquent, unforgettable photographs are invariably attuned to the transformative power of the human spirit.

The New Yorker
新闻报刊
The New Yorker
How Sebastião Salgado captures the world April 2005

In the world of photojournalism, a place where his fame and magisterial rhythm of work give him a singular status, Salgado has the added distinction of being his own producer: he owns the factory.

Guardian
新闻报刊
Guardian
Biography: Sebastião Salgado September 2004

Sebastião Salgado discovered photography while working as an economist for the World Bank. He is now one of the world's greatest photographers.

The New York Times
新闻报刊
The New York Times
Back to Nature, in Pictures and Action May 2009

Famous for putting a human face on economic and political oppression in developing countries, Mr. Salgado is photographing the most pristine vestiges of nature he can find: pockets of the planet unspoiled by modern development. He has visited the seminomadic Zo’e tribe in the heart of the Brazilian rain forest and weathered desolate stretches of the Sahara. Next up: two months in the Brooks mountain range of Alaska on the trail of caribous and Dall sheep.

LA Weekly
新闻报刊
LA Weekly
Sebastião Salgado's Search for the Pristine JUNE 2007

A documentary photographer with a Ph.D. in economics, Sebastião Salgado has spent much of the last 30 years in the underbelly of globalization, bearing witness to some of the bleakest chapters of recent history. He’s photographed the victims of famine in Ethiopia, genocide in Rwanda, land mines in Angola, ethnic cleansing in the Balkans and war in Afghanistan. His last two major projects, “Workers” (1986–1992) and “Migrations” (1993–1999), are epic studies of postindustrial economic development, as reflected in the faces of those whom it least serves, from Brazilian gold miners to Vietnamese fishermen, displaced Ecuadorian farmers to Sudanese refugees.

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