Skip to content

簡介

安藤美夜 (Miya Ando)是以紐約為中心的新興藝術家,她是備前劍製造商的後裔,小時候在日本岡山縣一座寺廟中成長,與佛教僧人劍匠一起生活。安藤美夜擁有一半日本,一半俄美的血統,童年時於日本及加州度過,經歷兩種截然不同的文化與語言。她於加州大學伯克萊分校取得東亞研究的學士學位,並於美國耶魯大學修讀佛教意象及圖象。大學畢業後,她到日本著名的鐵匠Hattori 工作室當學徒,2009年到北加州公共藝術學院進行實習。

安藤美夜巧妙地結合祖先的傳統技術與現代工業技術,靈巧地把光潔的不銹鋼及電鍍鋁轉換成短暫而泛著微妙色彩層次的抽象畫。

安藤美夜以表層改造作設計基礎,她通過以熱能、砂紙、砂輪機、酸及銅綠在其金屬畫上所產生的不同化學反應,創作出反射光線的傾斜度。她每天如冥想的狀態般重複這些技術,不斷減少、還原,及提煉她的概念,以求達至最簡單的形式。安藤美夜刻意似是而非地將金屬與思想精神的題材搭配,她說:「我的創作是探索金屬的雙重性,於傳達力量與永恆的能力的同時,它們亦能吸收多重顏色的轉移,及捕捉短暫的光線,提醒我們大自然生活中所有事物的無常。」

安藤美夜曾獲頒多個獎項,包括2012年波洛克-克拉斯納基金會的藝術資助。她的作品曾於世界各地展出,包括近期由Nat Trotman策展於紐約索羅門古根漢博物館舉行的展覽。安藤美夜多次受委託為公共場所創作,當中最引人注目的是位於倫敦高達30英尺的雕塑,由世界貿易中心的鋼材所建成,以紀念美國9.11事件十週年。

 

安藤美夜現居於紐約。

Miya Ando
NY | Chelsea
Miya Ando
Calendar of Moons (Tsuki Koyomi) September 24 – October 31, 2020
Miya Ando
NY | MADISON AVENUE
Miya Ando
March 20 – April 8, 2019
Miya Ando
SINGAPORE
Miya Ando
72 KŌ (SEASONS) March 15 – June 8, 2019
MIYA ANDO (安藤美夜)
紐約 | CHELSEA
MIYA ANDO (安藤美夜)
行雲流水 2018年3月2日至4月14日
Miya Ando (安藤美夜)
紐約 | Chelsea
Miya Ando (安藤美夜)
感知的本質 2016年6月9日至7月1日
Miya Ando (安藤美夜)
新加坡
Miya Ando (安藤美夜)
天空/虛無 2015年10月30日至2016年1月8日
Miya Ando (安藤美夜)
香港
Miya Ando (安藤美夜)
天空/虛無 2015年9月23日至10月30日
Miya Ando (安藤美夜)
紐約 | Chelsea
Miya Ando (安藤美夜)
Kisetsu (季節) 2014年10月16日至11月15日
Miya Ando (安藤美夜)
香港
Miya Ando (安藤美夜)
輕金屬 2014年2月13日至3月19日
MIYA ANDO (安藤美夜)
紐約 | Chelsea
MIYA ANDO (安藤美夜)
Mujo [Impermanence] June 20 – July 20, 2013
Miya Ando
出版刊物
Miya Ando
Calendar of Moons
Miya Ando
出版刊物
Miya Ando
72 KŌ (SEASONS)
Miya Ando
出版刊物
Miya Ando
Drifting Cloud, Flowing Water
Miya Ando (安藤美夜)
出版刊物
Miya Ando (安藤美夜)
The Nature of Perception
Miya Ando (安藤美夜)
出版刊物
Miya Ando (安藤美夜)
Sora | Ku Singapore
Miya Ando (安藤美夜)
出版刊物
Miya Ando (安藤美夜)
Sora | Ku Hong Kong
Miya Ando (安藤美夜)
出版刊物
Miya Ando (安藤美夜)
Kisetsu (Seasons)
Miya Ando (安藤美夜)
出版刊物
Miya Ando (安藤美夜)
Light Metal
Miya Ando (安藤美夜)
出版刊物
Miya Ando (安藤美夜)
Mujo (Impermanence)
Singapore
Artist Talk
Singapore
Miya Ando March 16, 2019
Singapore
Opening Reception with the Artist
Singapore
Miya Ando: 72 Kō (Seasons) March 14, 2019
紐約 | Chelsea
開幕酒會 (藝術家將參與其中)
紐約 | Chelsea
Miya Ando (安藤美夜): 行雲流水 2018年3月8日
紐約  | Chelsea
開幕
紐約 | Chelsea
MIYA ANDO (安藤美夜): 感知的本質 2016年6月9日, 晚上6時至8時
新加坡
藝術家講座
新加坡
安藤美夜 (Miya Ando): (天空/虛無) 2015年10月29日, 下午3時至5時
香港
藝術家講座
香港
Miya Ando (安藤美夜) 亞洲協會香港中心講座 2015年10月28日, 晚上6時30分
香港
私人預覽
香港
安藤美夜 (Miya Ando): 天空/虛無 2015年9月23日, 晚上6時30分至8時30分
Houston
Exhibition and Artist Talk
Houston
Miya Ando at Asia Society Texas Center
Bentonville, Arkansas
Museum Exhibition
Bentonville, Arkansas
Miya Ando at the Crystal Bridges Museum of American Art
紐約羅斯林港
博物館展覽
紐約羅斯林港
安藤美夜 (Miya Ando) 作品展出於NASSAU COUNTY藝術博物館 展期至11月4日
華盛頓特區
博物館展覽
華盛頓特區
安藤美夜(MIYA ANDO) 作品展出於美利堅大學博物館KATZEN ARTS CENTER 展期至5月27日
洛杉磯
博物館展覽
洛杉磯
MIYA ANDO (安藤美夜) 及HIROSHI SENJU (千住博) 作品展出於洛杉磯郡藝術博物館 日本繪畫藝術的氛圍展覽 展期由2017年9月14日開始
Kyoto Journal
新聞報刊
Kyoto Journal
Between Form and Emptiness October 14, 2020

A conversation with artist Miya Ando.

Forbes
新聞報刊
Forbes
‘Infinite Seed’ Brings Collective Healing To East Hampton Through Art June 30, 2020

Ando looked to her Japanese heritage and the architecture of the Japanese Chashitsu (Tea Room), which dates back over 1,000 years to create a Moon Meditation Hut of linen sheets dyed blue with Indigo ink with a bright white full moon beaming at the center.  

Asian Art News
新聞報刊
Asian Art News
Miya Ando May 8, 2019

Speaking to Nature's seasons.

The Washington Post
新聞報刊
The Washington Post
Asia Shapes Two Art Shows at the AU Museum April 26, 2018

East and West converge in different ways in the work of Miya Ando and Jiha Moon, two Asia-rooted female artists who have shows in adjacent galleries at the American University Museum. 

Elle Decoration
新聞報刊
Elle Decoration
Lumière sur la Ville October 2017

Miya Ando’s work is showcased in a chic Paris apartment designed by Laura Gonzalez.

Artsy
新聞報刊
Artsy
From Kusama to Turrell, 9 Artists Who Made Perfect Spaces for Meditation July 2017

Miya Ando describes her works as “studies in nothingness.” Raised partly in a secluded Buddhist temple in Okayama, Japan, she says her spiritual practice informs her exploration of simplicity and reduction.

The Gulf Today
新聞報刊
The Gulf Today
Drawing People Together March 2017

Writer Muhammad Yusuf reports on Sundaram Tagore Gallery from Art Dubai

Ocula
新聞報刊
Ocula
Miya Ando at Sundaram Tagore Gallery, New York July 12, 2016

There is something quite surprising about Miya Ando, the latest artist to have a solo show with Sundaram Tagore Gallery in New York.

Art Forum
新聞報刊
Art Forum
Reviw: Miya Ando, Sora/Ku October 26, 2015

By brushing layers of urethane and pigment onto sheets of aluminum, Miya Ando created ninety new abstract works for an exhibition at both of Sundaram Tagore Gallery's locations, in Hong Kong and Singapore.

Artnet
新聞報刊
Artnet
Artist Miya Ando on Growing Up and Working Hard September 2015

The work of New York-based artist Miya Ando has been guided by strong family relationships, a deep connection to nature, and time spent living in a Buddhist temple.

Straatosphere Magazine
新聞報刊
Straatosphere Magazine
Miya Ando: Woman of Steel July 2014

Not quite Superwoman, but every bit a woman of steel, artist Miya Ando is best known for her metalwork in the form of anodized aluminium that is hand-dyed to achieve beautiful end results; work that is industrial and ephemeral at the same time.

David Lynch Foundation
新聞報刊
David Lynch Foundation
July, 2014

The David Lynch Foundation, which supports programs that promote transcendental meditation, talks with artist Miya Ando in her New York studio.

Cut and paste this link into your browser to watch the video:
http://s3.amazonaws.com/dlf_tv_myspace_videos/Miya%20Ando/Miya%20Ando%20Profile-Paper%20Edit-D11-Streamlined%20audio.mp4

Asian Art News
新聞報刊
Asian Art News
Miya Ando at Sundaram Tagore Gallery March/April 2014

It really is a wonderful feeling to step into a gallery exhibition and be immediately set at ease by the imagery and colours of the paintings on the walls. So it was with Miya Ando's work in her most recent exhibition entitled Light Metal.

The Standard
新聞報刊
The Standard
Steeling the show March 2014

The half-Russian, half-Japanese artist, Miya Ando, first discovered her affinity for metal in a university welding class. She attributes it to the fact that her Japanese ancestors were Bizen swordmakers over a century ago.

Art Radar Asia
新聞報刊
Art Radar Asia
Woman of Steel: Miya Ando’s solo debut in Hong Kong March 2014

Brooklyn-based artist Miya Ando shares the unusual combination of traditional Japanese techniques and individual innovations that went into creating her recent body of work, displayed in her first solo exhibition “Light Metal” in Hong Kong.

South China Morning Post / 48 Hours
新聞報刊
South China Morning Post / 48 Hours
When many layers make light work February 2014

In her solo exhibition at Sundaram Tagore Gallery, Ando has a selection of her abstract paintings on burnished steel and anodised aluminium.

Wired
新聞報刊
Wired
Softer Metal February

Half-Japanese, half-Russian/American metalsmith Miya Ando makes art through alchemy. A recent set of her wall paintings, which emit a “ghostly halo” through phosphorescent pigments painted under the dyes, will be shown at the Sundaram Tagore gallery in Hong Kong throughout February.

Art News
新聞報刊
Art News
To Be A Lady: review February 2014

Brooklyn-based curator Jason Andrew's global selection of paintings, photographs, films, and painted constructions set out to recast the often limiting idea of what a "lady" should be.

Hong Kong Tatler
新聞報刊
Hong Kong Tatler
Miya Ando at Sundaram Tagore Gallery January 2014

The up-and-coming New York-based artist exhibits new works in her first Hong Kong solo exhibition.

TRICYLE MAGAZINE
新聞報刊
TRICYLE MAGAZINE
THE ALCHEMIST August 2013

Tricycle Magazine profiles artist Miya Ando, who talks about her practice, her creative vision, and how her heritage informs into her work.

Miya Ando: The Alchemist from Tricycle on Vimeo.

BLOUIN ARTINFO
新聞報刊
BLOUIN ARTINFO
MIYA ANDO'S BURNISHED METALS AT SUNDARAM TAGORE NEW YORK July 2013

New York-based artist Miya Ando is currently having her first solo exhibition at Sundaram Tagore Gallery in New York, showcasing her signature burnished steel and anodized aluminum works that deftly tie together abstraction, industrial fabrication, spiritual subject matter, and the lessons of American minimalism.

THE JEWISH DAILY FORWARD
新聞報刊
THE JEWISH DAILY FORWARD
SEARCHING FOR IMPERMANENCE July 2013

Miya Ando, an artist whose solo show Impermanence recently opened at New York’s Sundaram Tagore Gallery, is a product of two worlds. The daughter of a Russian (via California) Jewish father and Japanese Buddhist mother, she grew up in a temple and didn’t learn English until she was seven years old.

NEWSWEEK
新聞報刊
NEWSWEEK
MIGHTY MIYA June 2013

Move over, Man of Steel. There’s a new superhero in the city. Her ancestors were swordsmiths. Her mission? To embrace the alchemy of metal. To manipulate steel and aluminum into forms beyond recognition. To create deceptively simple postminimalist art.

Surface Asia
新聞報刊
Surface Asia
Brevity and Light March 2013

Opening on International Women’s Day, the 8 Women/8 Stories exhibit at Hong Kong’s Sundaram Tagore Gallery was conceived as an accolade to the eight female artists who contribute to the show’s interwoven narrative.

回到顶部