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香港

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2016年2月1日至4月30日

Donald Baechler, Userfill in Theory, 2003, mixed media on canvas, 24.02 x 24.02 inches/61 x 61 cm

Donald Baechler, Userfill in Theory, 2003, mixed media on canvas, 24.02 x 24.02 inches/61 x 61 cm

Hiroshi Senju, Waterfall, 2012, Natural, acrylic pigments on Japanese mulberry paper, 51 5/16 x 76 5/16 inches/130 x 194 cm

Hiroshi Senju, Waterfall, 2012, Natural, acrylic pigments on Japanese mulberry paper, 51 5/16 x 76 5/16 inches/130 x 194 cm

Miya Ando, 4 AM Hour of Monks, 2013, Hand-dyed anodized aluminum, 48 x 48 inches/ 121.9 x 121.9 cm

Miya Ando, 4 AM Hour of Monks, 2013, Hand-dyed anodized aluminum, 48 x 48 inches/ 121.9 x 121.9 cm

Miya Ando, Ephemeral Vermillion, 2015, Urethane, pigment, and resin on aluminum, 36 x 36 inches/91.5 x 91.5 cm

Miya Ando, Ephemeral Vermillion, 2015, Urethane, pigment, and resin on aluminum, 36 x 36 inches/91.5 x 91.5 cm

Kim Joon, Ebony-Tiger, 2013, Digital print, 47 x 47 inches/119.4 x 119.4 cm

Kim Joon, Ebony-Tiger, 2013, Digital print, 47 x 47 inches/119.4 x 119.4 cm

Hiroshi Senju, Cliff #25, 2015, Acrylic and natural pigments on Japanese mulberry paper, 68 7/8 x 37 3/4 inches/ 175 x 96 cm

Hiroshi Senju, Cliff #25, 2015, Acrylic and natural pigments on Japanese mulberry paper, 68 7/8 x 37 3/4 inches/ 175 x 96 cm

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