千住博 (Hiroshi Senju)是首位于威尼斯双年展中获得特别荣誉奖的亚洲艺术家(1995年)，展览遍及世界各地，包括伦敦当代艺术博物馆1996年的Beauty Project、纽约日本文化协会2002年由Alexandra Munroe策展的The New Way of Tea展览、Paintings on Fusuma2003年于东京国立博物馆展出屏风画，及2015年由Sundaram Tagore筹办的威尼斯国际艺术双年展官方延伸展览Frontiers Reimagined。2017年，他获日本外务省授予外务大臣表彰，表扬其作品对日本艺术的重要贡献。同年，他获野口勇博物馆选为年度野口勇奖得主。
Hiroshi Senju: Sacred works at Koyasan
March 19, 2020
Famous for being the home to numerous Buddhist temples, Mount Koya, a sacred site of Shingon Buddhism, celebrated its 1,200th anniversary in 2015. On this occasion, painter Hiroshi Senju was commissioned to create a work of art unlike any other, a fusuma-e of gigantic dimensions.
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New works by beloved artist Hiroshi Senju mark a turning point in his career and offer a unifying message in chaotic times.
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The Japanese painter is the only artist in Chelsea right now who uses a 1,000-year-old Japanese technique (and weasel-hair brushes).
Hiroshi Senju’s sublime, large-scale paintings of waterfalls and cliffs are renowned for combining the techniques of abstract expressionism with Japan’s centuries-old nihonga style of painting.
The Gulf Today
Drawing People Together
Writer Muhammad Yusuf reports on Sundaram Tagore Gallery from Art Dubai
Sundaram Tagore had his first taste of the Venice Biennale as a graduate student, when a scholarship from the Italian Ministry of Culture landed him in the city to study museology at the Peggy Guggenheim Collection. Now, 26 years on, with eponymous galleries in New York, Singapore, and Hong Kong, Tagore has returned to mount his own exhibition to run alongside the 56th Venice Biennale.
Fans of the Fendi baguette will remember a series of one-off pieces created by various artists. One such bag by New York based Japanese artist Hiroshi Senju depicts a waterfall on the back, and is also the carrier of an environmental message.
When asked about the motif that has occupied him for nearly 25 years—waterfalls—the celebrated Japanese artist Hiroshi Senju once explained: "I wanted to paint something that will not be old-fashioned after 1,000 years, a timeless landscape.”
「当我们大为谦卑的时候，便是我们最接近伟大的时候。（We come nearest to the great when we are great in humility）」这是曾获诺贝尔文学奖的印度大文豪泰戈尔（Rabindranath Tagore）让人耳熟能详的名句。他周游列国，与徐悲鸿、谭云山为友，对促进东西文化最落力，描写也最为细腻，甚至影响中国一代诗风。个半世纪后，泰戈尔对文化融通的深层视野仍然像基因遗传在第五代子孙Sundaram Tagore 的血液里。 「当我曾曾祖父拿到诺贝尔文学奖后，把奖金都捐到大学去，他深信人道主义（humanity）而非民族主义（nationalism）会令世界变好。我也深受影响，艺术不是商品也不只讲求美轮美奂，最重要是有没有达到历史解码的功能。」Sundaram Tagore这印度大文豪之后如是说。他更侃侃而谈「文化冲击」作为自己收藏和经营事业的单一准则与品味。
Acclaimed Japanese artist, Hiroshi Senju's solo show in Sundaram Tagore Gallery awards the viewer a glimpse of serenity and an inkling of the passage of time as planet earth measures it rather than in fleeting human terms.
Over at Sundaram Tagore Gallery, which has branches in New York, Hong Kong, and Singapore, a pair of waterfall paintings by Japanese master Hiroshi Senju went home with an American collector based in Singapore.
The exquisite works in Hiroshi Senju’s series “Cliffs,” 2012—eleven mixed-media paintings, one triptych, all on mulberry paper mounted on board—appear to illustrate Lao-tzu’s idea of Tao as a sort of universal flow or elemental flux informing all things.
Japanese painter Hiroshi Senju is best known for the serenity of his large-scale waterfall paintings that he has made since 1990. His recent cliff paintings that he has developed since 2007 articulate both artistic and metaphysical tension.
The design of the Hiroshi Senju Museum Karuizawa is a collaborative effort between Ryue Nishizawa and the Japanese artist Hiroshi Senju, whose paintings from 1978 to the present day are on display at the new museum.
Sundaram Tagore Gallery has supported Fine Art Asia since the fair started in 2006. It has branches in Hong Kong, New York and Beverley Hills. The gallery specialises in artwork that interweaves the modern, the cultural and the abstract.
One of the early arrivals, back in 2007, was Sundaram Tagore, a gallerist with outposts in New York and Beverly Hills who focuses on the intersection of Western and non-Western art and shows pieces that further a global dialogue.
At the time, Mr. Tagore was one of the first international gallery owners to open a space in the city. Since then several foreign galleries have followed, including Gagosian Gallery and Ben Brown Fine Arts. “Hong Kong has become an important artistic center,” said Mr. Tagore. “There is an audience here that has a voracious appetite for art.”
Sundaram Tagore Gallery will present a group exhibition, "Facing East’, of works that transcend cultural boundaries while reflecting Eastern elements. The show represents artists of Korean, Indian, Japanese, Vietnamese, and Uzbeki-Israeli origins. These works define an aesthetic language of East-West dialogue, featuring artists Kim Joon, Nathan Slate Joseph, Sohan Qadri, Hiroshi Senju, Robert Yasuda, Nhat Tran, Amina Ahmed, and Taylor Kuffner. Through their works, these artists struggle to create a sense of beauty that is universal through a wide range of mediums.
For his second solo exhibition in Hong Kong, California-based American painter Lee Waisler presents a series of moving portraits of historical and contemporary figures. Having practiced abstraction for decades, Waisler returned to figuration full-force six years ago, making what he calls "dimensional portraits," combining strips of wood and blocks of color to create nuanced faces and figures.
"Sundaram Tagore Gallery opened its doors in 2000 with a mission to foster the exchange of ideas between different cultures. With three locations in New York, Hong Kong and Beverly Hills, the stable of transnational artists straddles the terrain of east and west. The artists fail from such countries as India, Japan, Korea, , Uzbekistan, Mexico, Europe and America. The galleries have become known for cultural activities and collaborative events across the world."
"It would be no exaggeration to call the works of Hiroshi Senju 'out of this world.' In his first solo show in Hong Kong at Sundaram Tagore Gallery, the celebrated Japanese artist reveals a new dimension to his inner vision. Transcendence flows through his sublime waterfalls and fills the landscape of canyons and cliffs, in a series of new works that are unveiled especially for the local audience."
"The Art section of Hong Kong International Art and Antiques Fair 2009 will feature exceptional works by celebrated artists in a diversity of artistic styles and media. Sundaram Tagore Gallery of New York, Beverly Hills and Hong Kong will show work that encourages a dialogue between the East and West. Featured artists include Hiroshi Senju(Japan), Sohan Qadri (India) and Kim Joon (Korea) along with Susan Weil (USA), Natvar Bhavsar (India)."
"If one encounters Hiroshi Senju's work in the Tokyo International Airport hanging high from the ceiling or under the atmospheric lighting of the Tokyo Grand Hyatt Hotel, one will surely be moved by their power."
"Aside from exhibiting a wide variety of antiques, the Hong Kong International Art and Antiques fair has also invited contemporary artists to display their latest works. A specially presented work in the fair is Day Falls Night Falls VI by the Japanese artist Hiroshi Senju who was the first Asian artist to receive an individual award in the Venice Biennale. His painting style is a blend of traditional Japanese painting style and contemporary aesthetics."
"Aesthetically, when the East meets West seamlessly, the results can be staggering. Such is the case for Japanese artist Hiroshi Senju whose waterfall paintings have been renowned for years. In 1995, he became the first Asian artist to receive an individual award at the Venice Biennale, propelling him to become one of Japan's most celebrated artists."
"Humans need to commune with the elements of nature and art at its best can provide such an experience of communion. Artists often reflect on nature and transform it into intensely condensed metaphors, poems, and songs.Through his sublime paintings, Japanese artist Hiroshi Senju has contemplated multiple facets of water, especially its fundamental power, for almost twenty years [...]n essence, he transforms solid materials from the earth to create images of elusive aquatic torrents."
And Finally, after being interested in the sky, I discovered the waterfall. I felt something clicking as if I recognized some kind of DNA that I had in me, like a past memory. I find that a lot of people whether they are Europeans, Americans or Japanese have similar feelings towards waterfalls. I find that these emotions go beyond the boundaries East/West, or old/new. Once I understood what art was all about and that art should go beyond people's boundaries, it was very important for me to further explore that path.
The contemporary-art market may be down, but it is definitely not out. In fact, these unKoonsian times, like many downturns before, allow artists and dealers to be more creative, and collectors to focus on the fundamentals […] Sundaram Tagore, a grandnephew of Indian poet Rabindranath and a dealer with galleries in New York, Los Angeles and Hong Kong says good art works by key artists—especially in the $500,000 and over range—have been moving.
Art historian Sundaram Tagore's doctoral thesis looks at Indian artists' response to European modernisation from the 1940s to 1980s. As a curator, however, his focus is more on the here and now. Hence the title of his gallery's latest group exhibition by 18 international artists, which opens today at the Sundaram Tagore Gallery's Hong Kong branch.
"I started painting by brush," Senju says. "It didn't really work the way I wanted it to, It was more like the Hudson River School or the work of 19th-Century European artists, which was not what I wanted to do. The more I painted the more I felt to the two most important elements on the earth - gravity and water. And I thought: why don't I try to use gravity, to pour down the paint from the top?"
"...Less-colour-saturated but no less intuitive are the pieces by Natvar Bhavsar, who sprinkles pigment delicately on his canvases in an echo of Jackson Pollock, although the works' understated quality reflects a gentle Asian sensibility that's the opposite of the American painter's frenetic, ego-driven style..."
"...Senju creates, from the most simple of low-tech means, cinematic spectacles that appear to be in motion. They are startlingly beautiful works - perhaps too beautiful, since we tend to be wary of beauty - and raise the question of optical trickery, although the trickery is completely transparent..."
"Art, globalization and inter-cultural dialogue are themes dear to Tagore. The latter populates his conversation and is reflected in the work he shows. Recent exhibits at his Chelsea gallery have included the metalwork of an Israeli-American, Nathan Slate Joseph; the lush, Scandinavian-influenced paintings by the Indian artist Sohan Qadri; and the ethereal waterfalls of Japanese painter Hiroshi Senju. Tagore's gallery statemnt, afterall, is to develop exhibitions and host events that "engage in spiritual, social and aesthetic dialogues with traditions other than our own."..."
"Hong Kong's ambition to be Asia's art hub received another boost with the recent arrival of three top galleries: Gagosian, Sundaram Tagore and Tang Contemporary. Sundaram Tagore opened on the city's gallery street, Hollywood Road, on May 9."
"...With two other locations in New York and Beverly Hills, Los Angeles, Sundaram Tagore Gallery represents some of the most well known contemporary artists, such as Hiroshi Senju and Judith Murray..."
"Tagore explains how his passion for art has enabled him to dissolve differences in cultures and bring them together in a unique and creative way, denoting that art can transcend all culture and social standings."
"Gallerist Sundaram Tagore said, "All these artists have spent their lives working in and exploring different Eastern and Western cultures - including India, China, Nepal, Japan, Italy, Holland and America. Together they create an incredible mosaic and foster an intercultural dialogue that reflects a diversity of thought and artistic style."
"These 'philosophical discussions' are fundamental to Tagore's vision for his galleries, or 'cultural spaces' as he prefers to call them. Unlike galleries that buy and sell art solely as a monetary transaction, Tagore has a mission to create a global community of artists and foster a dialogue between Western and non-Western cultures."
"Among the returning dealers is New York's Sundaram Tagore Gallery, which is bringing a selection of richly hued abstractions, priced between $25,000 and $250,000, by the likes of Natavar Bhavsar and Hiroshi Senju, who were born in Gujurat, India, and Tokyo, respectively."
"Senju says . . . artists can be recognized as worldwide ones only when their works have been publicly recognized as those which have a clear-cut philosophy and vision toward world peace and environmental conservation."
"Coming to the 21st century, we bade farewell to contemporary art of the 20th century . . . realizing that only art works which are recorded in history can lend us encouragement, vitality and healing."