Sundaram Tagore Gallery New York, 542 West 26th Street, between 10th and 11th avenues, is open 10 am – 6 pm Tuesday – Saturday.
Sundaram Tagore Gallery Singapore at Gillman Barracks is open 11 am – 6 pm Tuesday – Friday and 11 am – 7 pm Saturday.
Sundaram Tagore Gallery London at 4 Cromwell Place is open 10 am – 6 pm Tuesday – Saturday.
Sebastião Salgado has received the Outstanding Contribution to Photography award in the Sony World Photography Awards 2024. Dozens of his photographs will be on view from April 19 to May 6, 2024, as part of the Sony World Photography Awards 2024 exhibition.
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Pictured: Sebastião Salgado, Salinas #3, Cadiz, Spain, 2013, chromogenic color print, 48 x 64 inches/121.9 x 162.6 cm ©Sebastião Salgado
Tayeba Begum Lipi's artwork is on view at the Thailand Biennale from December 9, 2023, to April 30, 2024. The third edition of the Thailand Biennale is hosted in Chiang Rai under the theme "The Open World" and exhibits works by Thai and international artists. The works address topical issues such as history, cultural diversity, and nature and ecology and will be displayed in art galleries, exhibition halls, museums, temples, and historic sites in Chiang Rai. Installation image: Tayeba Lipi, Together, 2018, Stainless steel, Edition 3 of 3, 43 x 57 x 14 inches/109.2 x 144.8 x 35.6 cm
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New work by Neha Vedpathak will be showcased alongside important canonical works by Agnes Martin, who has been a principal inspiration for Vedpathak. Subtleism: Neha Vedpathak with Agnes Martin, October 26, 2024 — March 2, 2025.
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Artwork by gallery artist Anila Quayyum Agha is on view in Threads of Belonging: The Migrant Experience in Material Expression, in the Winter Garden Gallery at Brookfield Place, New York. Anila Quayyum Agha experiments with materials and geometric patterns to explore the entwined relationships between gender, culture, and religion that inform the migrant experience. On view until May 13, 2024.
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Anila Quayyum Agha: Dualities showcases three of the artist’s large-scale sculptural installations, which engage topical concerns around migration, transience, and the politics of displacement. The exhibition culminates with a selection of works on paper that reflect Agha’s training in textile design and her innovative experimentation across media. On view until April 21, 2024. Installation image: Anila Quayyum Agha: Dualities, Bruce Museum.
Photo by Chichi Ubiña.
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Miya Ando will discuss her Cloud series of artworks on view in the Buddhist Art galleries at Detroit Institute of Arts, from their genesis—arising from her earlier Hamon paintings (referring to a cloud-like pattern on the edge of a sword)—to the overarching concept of mono no aware. This lecture is free and will take place Thursday, March 7, 2024, at 6 pm.
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As part of Saatchi Gallery’s major exhibition BURTYNSKY: Extraction/Abstraction, photographer Edward Burtynsky will be joined by art historian Sir Simon Schama for a discussion February 15, 2024, on the power of art to address the urgent issues of our times. Limited tickets are available.
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BURTYNSKY: Extraction/Abstraction is the largest exhibition to date of Edward Burtynsky's work.
Curated by Marc Mayer, former director of the National Gallery of Canada and Musée d’art contemporain de Montréal, the exhibition features ninety-four large-format photographs as well as thirteen high-resolution murals, and an augmented reality experience. On view February 14 – May 6, 2024.
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We are pleased to announce that we have placed a twenty-three-foot tall sculpture by Being-based gallery artist Zheng Lu on Jersey in the Channel Islands. The stainless-steel sculpture, which recalls a sail buffeted by the wind, is part of a luxury residential complex and was installed by the Jersey Development Company in 2023.
We are pleased to announce that we have placed a public art project with a powerful message about water adjacent to the United Nations. Undercurrent, 2023, a twenty-foot-tall stainless-steel sculpture by Beijing-based artist Zheng Lu (b. 1978), is on view through August 2024 in Dag Hammarskjöld Plaza.
http://www.sundaramtagore.com/artists/anila-quayyum-aghaThe immersive exhibition NEW/NOW features work by Anila Quayyum Agha (b. 1965), who explores the complexities and contradictions of her experience as a Pakistani immigrant to the United States through monumental installations and intimate paintings and drawings.
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Work by Olivia Fraser is on view amidst historic works from major collections including the Royal Collection, Tate, The Ashmolean Museum and National Museums Scotland, many of which are rarely displayed due to their fragility. Beyond the Page explores how the traditions of South Asian miniature paintings have been reclaimed and reinvented by modern and contemporary artists. The show runs through January 28, 2024.
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We are pleased to announce that we have placed Neha Vedpathak’s stunning artwork Those Places, 2017, Japanese paper, acrylic, polymer and thread, in the United States Consulate General in Hyderabad, India, 2023.
Earth and Sky highlights work from the Scottsdale Museum of Contemporary Art Collection, including work by Miya Ando, that touches on how humans inhabit, construct, or perceive various natural, artificial, or ethereal environments. On view through January 7, 2024.
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We are pleased to announce that two of gallery artist Hiroshi Senju’s works, Waterfall and Waterfall on Colors, 2023, were acquired by Art in Embassies in 2023 for the American Embassy in Tokyo.
Gallery artist Miya Ando has been awarded the 2023 Brookfield Place New York Annual Arts Commission. The site-specific commission, titled Flower Atlas, premiered at the Winter Garden in Brookfield Place in lower Manhattan, in July 2023. Ando reimagined the year 2023 not in days but in flowers, depicting the seventy-two seasons of the nature-based ancient Japanese system of time-telling. The installation came to life through seventy-two chiffon banners suspended in the Winter Garden.
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Sculptural work by gallery artist Tayeba Begum Lipi is on view at the Royal Ontario Museum in a wide-ranging exhibition that includes emerging and established artists from around the world.
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Waterfall on Colors, 2023, is on view in the museum’s Toshiba Gallery of Japanese Art through 2024.
Athens, Greece, May 25 – June 4, 2023
Lisbon, Portugal, June 5 – 10, 2023
Geneva, Switzerland, June 29 – July 4, 2023
Washington, D.C., September 19, 2023
Pictured: Susan Weil, Triangle Hand, 2015, digital print on paper mounted on Sintra, 23.75 x 18.875 inches.
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Multimedia work by gallery artist Jane Lee is on view until September 24, 2023, in an expansive, experiential solo exhibition. Lee has turned entire roooms into her canvases as she continues to explore what constitutes a painting.
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View immersive work by ward-winning gallery artist Anila Agha until September 17, 2023, at the Shirley Sherwood Gallery of Botanical Art: All the Flowers Are for Me, a lazer-cut steel cube that casts elaborate botanical shadows, and Stolen Moment Bouquet I & II, a wall-mounted botanical sculptural.
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We are pleased to announce that gallery artist Sohan Qadri’s work, Ashwini III, 2008, has been acquired for the museum's collection.
Sculpture by Beijing-based artist Zheng Lu is on view in Summoning Memories: Art Beyond Chinese Traditions, which highlights works by more than 30 contemporary artists of Chinese descent who reinterpret traditions in dynamic and innovative ways. Exibition on view from February 10 – July 2, 2023.
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In 2022, the Japan Art Academy (headed by Shuji Takashina) announced that it had elected Hiroshi Senju for his outstanding achievements in artistic activities.
The title of this solo exhibition at Northern California’s Bolinas Museum is inspired by a series of 1,347 daily drawings Ando created during the Covid lockdowns. The drawings were made with natural indigo dye and micronized pure silver on washi and Hahnemühle paper. Many pieces in the exhibition, including 30 moon drawings, link directly to Ando’s deep relationship with Bolinas and coastal Northern California environments. Exhibition on from February 4 – April 2, 2023.
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The acclaimed Iranian artist discusses her transition from traditional Persian calligrapher to contemporary artist on the occasion of her 2022 solo exhibition The Road Forward at Sundaram Tagore New York.
In 2022, Assouline released a lavish coffee-table volume featuring 100 color photographs of the Kogobuji Temple atop Japan’s Mount Koya and the monumental cliff and waterfall paintings Hiroshi Senju created for the sacred site. The book is a tribute to both Hiroshi Senju and Kūkai, the Japanese Buddhist monk credited with founding the Shingon sect of Buddhism.
We are pleased to announce that gallery artist Tayeba Lippi’s work, Her Stilettos 2, 2019, has been acquired for the museum's collection.
The exhibition features more than 10 years of work from nearly every series in her career: Converging Territories (2003-2004), Les Femmes du Maroc (2005-2007), Harem (2009), and Bullets (2009-2017). On view through November 6, 2022.
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Work by gallery artist Chun Kwang Young is the subject of a major solo exhibition at the Venice Biennale, on view through November 27, 2022.
Ghiora Aharoni’s work is on view in Let Me Hear Your Voice at The Textile Museum in Washington D.C. The show is part of a year-long collaboration with the museum that includes an artist residency, academic seminars, public programming and a second exhibition, which was presented earlier this year. Exhibition on view from February 9 – May 7, 2022.
Photographer Karen Knorr’s work is on view at RPS Gallery (the Royal Photographic Society) in Bristol, UK, from 27 January – 27 March 2022
Her images are part of the exhibition Generations: Portraits of Holocaust Survivors, which marks Holocaust Memorial Day by bringing together over 50 contemporary portraits of Holocaust survivors and their families. A special outdoor edition of the RPS exhibition is produced and hosted by UNESCO at its Paris headquarters as part of its commemorations around Holocaust Memorial Day.
February 18 – July 2, 2022.
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(Photo by Stefan Jennings Batista courtesy of the University of New Mexico Art Museum.)
Hiroshi Senju's work is on view at the Art Institute of Chicago from November 13, 2021 – June 26, 2022.
Senju produced a monumental site-specific Waterfall for a gallery in the Asian wing designed by Pritzker Prize-winning architect Tadao Ando. The 50-foot-wide folding screens are now part of the museum’s permanent collection.
Susan Weil’s work is on view at Galerie Rüdiger Schöttle in Munich in “A Room of One’s Own,” an exhibition based on the narrative of the influential novel by Virginia Woolf. The show highlights women artists who approach their work in relation to science, history and literature, shaping the course of art history. Three of Weil’s works from the 1990s are on view alongside sculpture by Kiki Smith and photography by Candida Höfer. The exhibition runs through January 15, 2022.
Image: Drawn and Quartered, 1996, cyanotype, 55.88 × 55.88 cm
Le Monde de Steve McCurry, a retrospective comprising more than 150 photos printed in large format, is on view at the Maillol Museum from December 9, 2021 – May 29, 2022.
A glass sculpture by Miya Ando is on view in the exhibition New Glass Now at the Smithsonian American Art Museum from October 22, 2021 – March 6, 2022.
Sculptural paintings by Neha Vedpathak are on view in E/Merge: Art of the Indian Diaspora, the inaugrial exhibtion of the at the National Indo-American Museum in Chicago through March, 2022.
Neha Vedpathak’s work is on view in Time (Constant, Suspended, Collapsed), a solo show of new paintings made from plucked Japanese paper at the Flint Institute of Arts from October 9, 2021 – January 9, 2022.
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Two of Anila Agha's large-scale light installations are on view in The Weight Of Black, an exhibition at The Jule Collins Smith Museum Of Fine Art on view from October 8, 2021 to January 2, 2022.
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Hiroshi Senju was awarded the 77th Imperial Prize and the Japan Art Academy Prize in 2021. The award has been presented annually since 1941 by the Japan Art Academy, one of the most respected art institutions in the country. It recognizes individuals who have made distinguished contributions to the advancement of art.
September 25, 2021 to January 9, 2022. Click here for info.
Images from several of Essaydi’s most iconic photographic series from the past 15 years are on view at the Hunter Museum of American Art from September 24, 2021 to January 9, 2022.
Images by Karen Knorr are on view in X, a group show at the At Frac des Pays de la Loire from May 19, 2021, to January 9, 2022.
The show, which includes the work of over 80 artists, marks the reopening of the Frac des Pays de la Loire in Carquefou after having been closed for over a year for major work on its collections.
Images by Magnum photographer Steve McCurry are on view in The Eyes of Humanity at the Ernst Leitz Museum from April 20 to October 10, 2021.
Anila Quayyum Agha’s Hidden Diamond–Saffron (2019) is on view alongside work by Lucio Fontana, Urs Fischer, James Turrell, Ahmed Mater and Yayoi Kusama. The exhibition of 30 light works and new commissions is curated by Susan Davidson, former senior curator at the Solomon R. Guggenheim Museum, New York. On view through June 12, 2021.
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Hassan Massoudy has a solo show at the Pergamon Museum from July 7, 2021 to October 17, 2021. There is a Place on Earth for Everyone features a selection of Massoudy's vibrantly colorful works on paper from their collection.
Hiroshi Senju is honored at the dedication ceremony celebrating the permanent installaiton of two monumental paintings he created for Kongobuji Temple at Mount Koya in Japan.
Ricardo Mazal's work is on view at the Indianilla Station Cultural Center in the solo exhibition Praga through May 28, 2020. The show comprises new work from his Prague series, which debuted at Sundaram Tagore Chelsea in 2019.
Photographer Karen Knorr’s work is on view at the Barbican Art Gallery, London in the exhibition Masculinities: Liberation Through Photography through May 17, 2020. The show charts the often complex and contradictory representations of masculinities, and how they have evolved over time. Knorr will be speaking at the Barbican March 26.
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Susan Weil’s work is on view in the exhibition Photography and the Surreal Imagination through June 14, 2020. The exhibition explores photography’s central tension between documentation and invention—a generative force for artists connected to historical Surrealism.
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Susan Weil’s work is on view in the exhibition Question Everything! The Women of Black Mountain College—a show celebrating the work and impact of groundbreaking female artists. Her piece Musical Chairs, 1995, a vivid acrylic painting is among the highlights of the expansive survey. Exhibition through April 25, 2020.
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Susan Weil’s work is on view at the Nashville Art Museum in the ongoing exhibition Intersections in American Art. Leaf Hands, one of Weil's blueprint works and a collaboration with artist José Betancourt, is in the Collaboration & Interdisciplinary Dialogue section of the show.
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October 18, 2019 to February 8, 2020.
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(Photo by Sam Simon courtesy of BCA.)
Hiroshi Senju's work is on view at the Brooklyn Museum in New York in 2019. After a six-year renovation, the museum reopened its Asian Gallery with an installation of artworks from China and Japan from their permanent collection, including Senju’s Waterfall, 2012.
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A collaborative work by Susan Weil and Robert Rauschenberg is on view.
November 10, 2019 to February 16, 2020. Click here for info.
Miya Ando’s work is in the solo exhibition Form Is Emptiness, Emptiness Is Form November 16, 2019, to March 29, 2020.
On November 16, 2019, Ando will give an artist talk about the inspiration she draws from the Buddhist text, the Heart Sutra, and how it relates to her studio processes working with elemental materials such as wood, metal and light.
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Acclaimed Canadian photographer Edward Burtynsky’s new film ANTHROPOCENE: The Human Epoch opens September 25, 2019.
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Golnaz Fathi's work is on view at The Metropolitan Museum of Art in New York.
Hiroshi Senju’s work will be on view at the Kobe Artists Museum and Kobe Fashion Museum from September 14 to November 4, 2019, in an exhibition commemorating the completion of two monumental paintings for Kongobuji Temple at Koyasan.
October 9 2019 to February 9 2019. Click here for info.
Miya Ando's work will be on view in Crystals in Art: Ancient to Today, alongside work by Andy Warhol, Marina Abramovic, Ai Weiwei, Alexis Arnold, Olafur Eliasson, Cindy Sherman and more. On view Oct. 12 – Jan. 6, 2020.
Susan Weil's work is currently on view in Once in a Blue Moon at Galerie Rüdiger Schöttle. The exhibition comprises seminal works from 1989 to the present.
Susan Weil's work is currently on view in Bauhaus and America: Experiments in Light and Movement, an exhibition at the LWL-Museum für Kunst und Kultur in Germany that celebrates work by the Bauhaus artists who left Europe after it closed in 1933 and came to America to carry forward their ideas and influence a new generation of American artists.
Work by gallery artist Susan Weil is on view in the exhibition The Masters: Art Students League Teachers and their Students at The Phyllis Harriman Mason Gallery, part of New York’s iconic Art Students League on 57th street. The exhibition runs from November 1 to December 1, 2018.
Kwang Young Chun: Aggregations, a major retrospective of the Korean artist’s work, opens at the Brooklyn Museum November 16 and runs until July 2019. The exhibition features the large mixed-media installation Aggregation15 – JL038, which was the centerpiece of a recent solo show at Sundaram Tagore Chelsea.
For details, click here to visit the musuem’s website.
Work by Miya Ando will be on view alongside paintings and installations from Kandinsky, Motherwell, Frankenthaler and Warhol in True Colors. The show celebrates color as a powerful form of expression and includes more than one hundred richly saturated works that span a century. On view July 21 – Nov. 4, 2018.
We are pleased to announce that Hiroshi Senju’s work will be on view at the Toyama Prefectural Museum of Art and Design until July 20, 2018, in an exhibition commemorating the completion of two monumental paintings for Kongobuji Temple at Koyasan. The temple is a sacred site in Japanese Buddhism, founded by the priest Kobo Daishi/Kukai in the early Heian era and a UNESCO World Heritage site. The works—a waterfall and a cliff—were commissioned to celebrate Koyasan’s 1,200th anniversary. Click here for more information.
We are pleased to announce that gallery artist Ricardo Mazalis the subject of a retrospective exhibitionthat explores his work between 2003 and 2018. Ricardo Mazal: A 15 Year Survey showcases paintings, photographs, video installations and publications that reflect the acclaimed Mexican artist’s view of the world we inhabit and humanity’s relationship to its habitat. Click here for more about the exhibition.
We are pleased to announce that due to popular demand, Hiroshi Senju’s Shrine of the Water God is on view at The Metropolitan Museum of Art until January 21, 2019. It is part of the exhibition The Poetry of Nature: Edo Paintings from the Fishbein-Bender Collection. The pair of six-panel, twelve-foot screens, part of the museum’s permanent collection, is installed in Gallery 230 of the museum's Asian Art Galleries.
Two site-specific plate-glass sculptures internally etched with images of clouds are on view in Miya Ando: Clouds in the museum’s indoor-outdoor gallery April 25 – August 19, 2018. Click here for info.
Work by gallery artist Miya Ando is on view in Kumo: Miya Ando. On view April 3 – May 27, 2018
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March 10, 2018 to June 24, 2018. Click here for info. (Photo by Doug Eng.)
Work by gallery artists Miya Ando and Hiroshi Senju is on view in Atmosphere in Japanese Painting, from September 15, 2017 – February 4, 2018.
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Work by Miya Ando is on view in the solo exhibition Temporal August 17, 2017 to February 4, 2018.
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Work by Miya Ando is on view in the solo exhibition Inspirations 2017 June 14 – September 16, 2017.
We are pleased to announce that gallery artist Denise Green is the subject of a retrospective exhibition currently on view at the Heide Museum of Modern Art in Bulleen, Victoria, Australia. Drawing on Eastern philosophy, Green has developed way of painting that is seamless with a state of mind, and enables the fusion of an inner spiritual and an outer material world. She synthesizes these influences in an intuitive painting style, which gives expressive shape to ideas and emotional states that are rooted in deeply personal experiences of loss.
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Each year, the Noguchi Museum presents the Isamu Noguchi Award to two individuals who share Noguchi’s spirit of innovation, global consciousness and commitment to East/West cultural exchange. We congratulate gallery artist Hiroshi Senju, recipient and architect John Pawson of the 2017 Isamu Noguchi Award for his enduring commitment to these themes. The award will be presented at the Noguchi Museum's annual benefit on Tuesday, May 16, 2017.
Click here for more about the Noguchi benefit.
Click here for more about the award.
We are pleased to announce that The Metropolitan Museum of Art in New York has added Hiroshi Senju's Suijingū (Shrine of the Water God) to its permanent collection. This twelve-panel, twenty-four-foot screen is on view in Room 230 of the museum's Asian Art Galleries until May 14, 2017.
We are pleased to announce that gallery artist Susan Weil will be featured in Begin to See: The Photographers of Black Mountain College, the first in-depth exhibition of the history of photography at the storied institution. Her work will be featured alongside photographs by Josef Albers, Hazel Larsen Archer, Josef Breitenbach, Harry Callahan, Trude Guermonprez, Robert Haas, Clemens Kalischer, Barbara Morgan, Beaumont Newhall, Nancy Newhall, Andy Oates, Robert Rauschenberg, Aaron Siskind, Cy Twombly, Stan VanDerBeek and Jonathan Williams.
The exhibition coincides with a series of workshops, talks and screenings, the details of which can be found here: http://www.blackmountaincollege.org/exhibitions/
We are pleased to announce that STG artist Zheng Lu will be installing a large-scale sculpture at Gillman Barracks as part of the outdoor public art project Lock Route, which will open to the public January 13 during Gillman Barracks’ Art After Dark event. The bespoke sculpture is part of the artist’s Shiosai series and will be on view until June 30. The Lock Route project, which will include a number of sculptures, was commissioned by the Gillman Barracks Programme Office and curated by Khairuddin Hori.
Congratulations to STG artist Susan Weil, whose work is part of the group exhibition Leap Before You Look: Black Mountain College, 1933-1957 at the UCLA Hammer Museum, which was named one of the top ten museum shows of the year in the LA orbit by art critic Christopher Knight. He writes: “For a generation of young artists flanking World War II, tiny Black Mountain College in rural North Carolina would become the prime incubator of America’s avant-garde culture.”
Congratulations to Hiroshi Senju, who has been awarded the Japanese Foreign Minister's Commendation for his contributions to the deeper understanding of Japanese art around the world through his internationally recognized oeuvre. The award was presented in New York by Ambassador Reiichiro Takahashi, Consul General of Japan in New York in November 2016. The Foreign Minister's Commendation is awarded annually to individuals and groups with outstanding achievements to acknowledge their contributions to the promotion of friendship between Japan and other countries and areas.
Re-sist-ance is gallery artist Zheng Lu’s first large-scale solo museum show in Shaghai. It comprises eight new works produced in 2016 that explore the aesthetics of resistance. This follows a successful solo exhibition at Taipei’s Museum of Contemporary Art in 2015.
The husband-and-wife team, known for their installations dealing with displacement, change and memory by way of community engagement, talk about the work on view in their current exhibition at STG Chelsea.
Thames & Hudson has just published Edward Burtynsky: Essential Elements, a lavish overview of the photographer’s groundbreaking work across four decades, including 140 photographs of both iconic and previously unpublished images. Edited and curated by William A. Ewing, it presents Burtynsky’s oeuvre in five free-flowing sections that provide a sense of both his visual language and his exploration of the dilemmas at the heart of our globalized world.
Jane Lee is profiled in Vitamin P3: New Perspectives in Painting (Phaidon, 2016). This is a broad survey of more than 100 outstanding artists who are engaging with—and pushing the the boundaries of—the medium of paint. This is a follow up to Vitamin P, published in 2002.
Photographs by gallery artist Steve McCurry are on view at Asia Society Hong Kong in Picturing Asia: Double Take–The Photography of Brian Brake and Steve McCurry. The exhibition, which marks Asia Society’s sixtieth anniversary, sheds light on Brake and McCurry’s common passion in capturing the many facets of Asia.
Veteran STG artist Susan Weil’s work is on view in Leap Before You Look: Black Mountain College 1933-1957. The traveling exhibition debuted at Boston’s Institute of Contemporary Art before moving to the Hammer Museum in Los Angeles. Its final stop is the Wexner Center for the Arts at Ohio State University, Columbus. This is the first comprehensive museum show to focus on the history of the college, which became a crucial incubator for future giants of the mid-century avant-garde.
We’re pleased to announce the winners of our outdoor mural contest at STG Singapore: UCA (Unknown Chinese Artists), Soph O and Sam Lo. Soph and Sam will paint a 10-meter long mural outside the gallery in front of a live audience during Gillman Barracks’ Fourth Anniversary celebrations over the weekend of September 24. We received sixty (amazing) entries; our sincere thanks to all who applied.
We invite Fashion Institute of Technology art historian Rachel Baum to sit down with one of Bangladesh’s foremost contemporary artists, Dhaka-based Tayeba Begum Lipi. Their conversation touches on Lipi’s provocative choice of materials, ranging from razor-blades to safety-pins, and her recent works exploring ideas of commodification and self-branding.
American-born conceptual artist Aaron Taylor Kuffner invited us into his studio to explore the process behind his sonic sculptures inspired by Indonesian gamelan music. Kuffner immersed himself in the study of the instruments for the last decade and continues to work with craftsmen from Java. His kinetic works are comprised of orchestras of handcrafted percussion instruments derived from the gamelan and robotic technology.
Long Island Pulse magazine interviews Nathan Slate Joseph about his life and work. The longtime STG artist shares how he transitioned to sculpture from working two dimensionally and how his childhood in Israel continues to inform his art.
The online art publicationsits down with Miya Ando in her studio ahead of the opening of The Nature of Percepton, June 9, in the Chelsea gallery. Ando speaks about how she creates metal paintings, drawing on techniques from her ancestors who were sword makers in Bizen, Japan. She also reveals her latest experiments using charred wood laced with gold dust.
Robert Yasuda’s work is on view in Forty, a celebration of the venerable institution’s fortieth anniversary. The exhibition, organized by Alanna Heiss, PS1’s founding director, features work by more than forty artists who were key participants in the 1970s alternative art spaces movement and the early years of P.S.1 Contemporary Art Center.
To listen to a conversation between Robert Yasuda and Alanna Heiss, click here.
June 25 markes the opening of Bei Wu, a new sculpture park, which showcases more than seventy-five works from artists from around the world, including seventeen paintings and sculptures from longtime STG artist Fré Ilgen who is based in Berlin. The works, which will remain in the park’s permanent collection are installed in and indoor gallery designated specifically for Ilgen’s work, as well outside.
STG artist Denise Green’s work is on view in the fifth edition of The Biennale of Painting. The show features six of her pieces, including two abstract paintings and four small and large-scale photo collages related to the Battle of the Bulge in the Ardennes.
The Straits Times highlights the Anthony Poon exhibition Transformation and Color (May 2016) at STG Singapore and speaks to his family about how they helped bring the show to life. The exhibition features rarely seen works offering insight into one of the most significant figures in modern Asian art history.
