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SINGAPORE

Slow Art

June 18 – August 21, 2021

Chun Kwang Young, Aggregation 19 - AP032, 2019, mixed media with Korean mulberry paper, 35.75 x 28.75 inches/91 x 73 cm
Chun Kwang Young, Aggregation 19-AU073, 2019, mixed media with Korean mulberry paper, 59 inches/150 cm tondo
Karen Knorr, Arjuna's Path, Junha Mahal, Dungarpur, 2014, colour pigment print on Hahnemühle Fine Art Pearl Paper, 48 x 60 inches/122 x 152 cm
Lalla Essaydi, Harem Revisited #44, 2013, chromogenic print mounted to aluminum with a UV protective laminate, 48 x 60 inches/121.9 x 152.4 cm
Golnaz Fathi, Untitled [020], 2011, pen and varnish on canvas, 70.9 x 70.9 inches/180.1 x 180.1 cm
Hiroshi Senju, Waterfall, 2020, natural pigments on Japanese mulberry paper mounted on board, 89.5 x 57.25 inches/227 x 145.4 cm
Hiroshi Senju, Waterfall, 2020, natural pigments on Japanese mulberry paper mounted on board, 63.8 x 76.3 inches/162 x 194 cm
Hiroshi Senju, Waterfall, 2020, natural pigments on Japanese mulberry paper mounted on board, 44.1 x 57.3 inches/112 x 145.6 cm
Miya Ando, Tasogare Peach Pink Yellow, 2018, dye, pigment, resin, silver & urethane on aluminum, 60 x 60 inches/152.4 x 152.4 cm
Miya Ando, Blue Taupe Mandala, 2017, dye, pigment, resin and urethane on stainless steel, 40 inches/101.6 cm tondo
Miya Ando, Kumo (Cloud) Tondo 4.19.60.1, 2019, ink on aluminum composite, 60 inches/152.4 cm tondo
Miya Ando, Bizen Murasaki 12.19.42.48.1, 2019, pigment and urethane on aluminum, 42 x 48 inches/106.7 x 121.9 cm
Ricardo Mazal, Full Circle P 20, 2021, oil on linen, 50 x 70 inches/127 x 178 cm
Ricardo Mazal, Full Circle K 7, 2021, oil on linen, 40 x 44 inches/101.6 x 112 cm
Ricardo Mazal, Silence For Sofi 5, 2021, oil on linen, 40 x 44 inches/101.6 x 112 cm
Ricardo Mazal, Full Circle K 6, 2021, oil on linen, 54 x 69 inches/137 x 175.3 cm
Slow Art
Slow Art
Slow Art
Slow Art
Slow Art
Slow Art
Slow Art

Press Release

The collision of art and technology has empowered artists and viewers alike. Yet with every technical breakthrough, we become further removed from the material process of creating. Join us at Gillman Barracks where we have select work by acclaimed process-driven painters, installation artists and photographers on view. 

 

Each of the artists in this international exhibition works in a deliberative, laborious and highly skilled manner, producing work that is rich with meaning, materiality and sensuous, aesthetic power. It’s work that makes you want to look and linger.
 
The show includes tactile mulberry paper assemblages by Chun Kwang Young who painstakingly wraps thousands of foam forms in hand-tinted antique mulberry paper; vivid abstract canvases by Ricardo Mazal inspired by photographs the artist takes over months or even years; atmospheric paintings on metal by Miya Ando who creates as part of a meditative, spiritual process; and powerful waterfalls from Hiroshi Senju who mixes his pigments from ground stones and coral using a thousand-year old technique.

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