Denise Green

For her second solo exhibition at Sundaram Tagore New York, Denise Green presented abstract work that reverberated with buoyancy in color, exuberance with gravity defying forms and majestic glimpses of nature photographs.

「當我們大為謙卑的時候，便是我們最接近偉大的時候。（We come nearest to the great when we are great in humility）」這是曾獲諾貝爾文學獎的印度大文豪泰戈爾（Rabindranath Tagore）讓人耳熟能詳的名句。他周遊列國，與徐悲鴻、譚雲山為友，對促進東西文化最落力，描寫也最為細膩，甚至影響中國一代詩風。個半世紀後，泰戈爾對文化融通的深層視野仍然像基因遺傳在第五代子孫 Sundaram Tagore 的血液裏。「當我曾曾祖父拿到諾貝爾文學獎後，把獎金都捐到大學去，他深信人道主義（humanity）而非民族主義（nationalism）會令世界變好。我也深受影響，藝術不是商品也不只講求美輪美奐，最重要是有沒有達到歷史解碼的功能。」Sundaram Tagore這印度大文豪之後如是說。他更侃侃而談「文化衝擊」作為自己收藏和經營事業的單一準則與品味。

Sundaram Tagore Gallery has been named one of the top galleries in the world by Blouin Artinfo and Modern Painters magazine.

In conjunction with the launch of "Denise Green: An Artist’s Odyssey", published by the University of Minnesota Press, Artcritical sent contributing editor Jonathan Goodman to the artist’s studio for an in-depth discussion about the Australian artist’s time in Paris and New York and her contributions both as a visual artist and a writer and editor.

"The painting in Denise Green's latest exhibition, "Wonder and Evanescence," are florally themed but not flowery - they are serious latter-day abstractions. This is unsurprising given that the New York veteran trained at Hunter College some forty years ago with Mark Rothko and Robert Motherwell."