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簡介

美藉雕塑家Tom Doyle的作品僅以三點支撐,將不同形態的物件懸掛於空間中,並以此為創作目標。雖然作品尺寸由八英寸到十五英尺不等,但全以相同的升力原則所創作,似是因為藝術家對達至無重狀態甚至飛行的奮鬥而成功令作品浮起。Doyle使用Sperber雙人鋸木機將樹木鋸下並作雕刻。當決定了支撐結構後,就著手設計雕塑的最終形狀。作品極具鮮明的抽象表現主義,尤似Franz Kline的繪畫作品風格。1950至1960年代,Doyle活躍於紐約藝術圈,是支持創意發酵的藝術運動中不可或缺的一分子。

Tom Doyle曾獲頒約翰•西蒙古根海姆紀念獎學金雕塑獎及美國國家藝術基金會藝術獎 — 雕塑獎。他的作品被安裝於康涅狄格州新不列顛美國藝術博物館、紐約市立大學皇后學院、切斯特Beth Shalom Rodfe Zedek宗教會堂及羅克斯伯里Jean Widmark紀念館。

Being There
新加坡
Being There
2015年6月5日至8月23日
物競天擇
紐約 | Chelsea
物競天擇
2013年11月21日至12月21日
Tom Doyle
紐約 | CHELSEA
Tom Doyle
Space Embraced April 7 – 30, 2011
Tom Doyle
出版刊物
Tom Doyle
Space Embraced
BLOUIN ARTINFO/MODERN PAINTERS
新聞報刊
BLOUIN ARTINFO/MODERN PAINTERS
500 BEST GALLERIES WORLDWIDE July 2013

Sundaram Tagore Gallery has been named one of the top galleries in the world by Blouin Artinfo and Modern Painters magazine.

The Edge Singapore
新聞報刊
The Edge Singapore
Space for Art October 2012

Curator Sundaram Tagore tells Aimee Chan why the new art development at Gillman Barracks is so current and important.

ARTnews
新聞報刊
ARTnews
Tom Doyle Review July 2011

Using carved planks and curved sections of trees that he felled himself, Tom Doyle constructed handsome, tripodal forms that vary from tabletop models to nearly eleven-foot-tall sculptures. Four of the 13 were displayed attached to the walls at eye level, but the freestanding sculptures held the most potency. The larger works resemble the bones of a long-dead vertebrate, but at the same time the elegance of their compositions make them seem animated.

The Wall Street Journal
新聞報刊
The Wall Street Journal
Tom Doyle: Space Embraced April 2011

Tom Doyle fells cherry, oak and sassafras trees to make his carved, rough-hewn tripartite sculptures, some of which he casts in red and brown patinated bronze. The nearly two dozen abstract works here, from 1986 to the present, are either handheld or behemoth in scale.

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