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香港

Constellation

A Group Show

March 16 – April 11, 2011

Sohan Qadri, Avici III, 2010, Ink and dye on paper, 55 x 39 inches

Sohan Qadri, Avici III, 2010, Ink and dye on paper, 55 x 39 inches

Hiroshi Senju, Waterfall, 2009, Pure natural pigment on mulberry paper, 64 x 44 inches

Hiroshi Senju, Waterfall, 2009, Pure natural pigment on mulberry paper, 64 x 44 inches

Kim Joon, Fragile-Villeroy & Boch, 2010, Digital print, 47 x 82.7 inches

Kim Joon, Fragile-Villeroy & Boch, 2010, Digital print, 47 x 82.7 inches

Ricardo Mazal, ODENWALD 1152 N.23, 2008, Oil on linen, 78 x 33.5 inches

Ricardo Mazal, ODENWALD 1152 N.23, 2008, Oil on linen, 78 x 33.5 inches

Lee Waisler, Simon Wiesenthal, 2009, Acrylic, wood, and aggregate on canvas, 48 x 48 inches

Lee Waisler, Simon Wiesenthal, 2009, Acrylic, wood, and aggregate on canvas, 48 x 48 inches

Edward Burtynsky, Oil Spill #4, Oil skimming Boat, Near Ground Zero, Gulf of Mexico, 2010, Chromogenic color print, 39 x 52"

Edward Burtynsky, Oil Spill #4, Oil skimming Boat, Near Ground Zero, Gulf of Mexico, 2010, Chromogenic color print, 39 x 52"

Kim Joon, Fragile-Herend, 2010, Digital print, 47 x 66 inches

Kim Joon, Fragile-Herend, 2010, Digital print, 47 x 66 inches

Hiroshi Senju, Waterfall, 2009, Pure natural pigment on mulberry paper, 35.8 x 45.9 inches

Hiroshi Senju, Waterfall, 2009, Pure natural pigment on mulberry paper, 35.8 x 45.9 inches

Sohan Qadri, Maha Maya, 2010, Ink and dye on paper, 49 x 78.5 inches

Sohan Qadri, Maha Maya, 2010, Ink and dye on paper, 49 x 78.5 inches

Joan Vennum, Dreaming of Tomorrow, 2009, Oil on canvas, 60 x 48 inches

Joan Vennum, Dreaming of Tomorrow, 2009, Oil on canvas, 60 x 48 inches

Merrill Wagner, Aha!, 2004, Paint on steel, 22.5 x 28.5 inches

Merrill Wagner, Aha!, 2004, Paint on steel, 22.5 x 28.5 inches

Susan Weil, Memoremum, 2005, Acrylic on panel with collage elements, 62 x 66 inches

Susan Weil, Memoremum, 2005, Acrylic on panel with collage elements, 62 x 66 inches

Natvar Bhavsar, AARAKH V, 2003, Pure pigment on canvas, 12 x 12 inches

Natvar Bhavsar, AARAKH V, 2003, Pure pigment on canvas, 12 x 12 inches

Nathan Slate Joseph, Sari Blossom II, 2008, Pure pigment on steel, 84 x 48 inches

Nathan Slate Joseph, Sari Blossom II, 2008, Pure pigment on steel, 84 x 48 inches

Sohan Qadri, Padma IV, Inkn and dye on paper, 55 x 39 inches

Sohan Qadri, Padma IV, Inkn and dye on paper, 55 x 39 inches

Susan Weil, Bicircle, 2007, Acrylic on canvas, 56 x 83 inches

Susan Weil, Bicircle, 2007, Acrylic on canvas, 56 x 83 inches

Ricardo Mazal, ODENWALD 1152 NO.10, 2008, Oil on linen, 78 x 78 inches

Ricardo Mazal, ODENWALD 1152 NO.10, 2008, Oil on linen, 78 x 78 inches

Merrill Wagner, Pour, 2004, Paint on steel, 67 x 49.5 inches

Merrill Wagner, Pour, 2004, Paint on steel, 67 x 49.5 inches

Joan Vennum, Split, 2008, Oil on canvas, 22 x 25 inches

Joan Vennum, Split, 2008, Oil on canvas, 22 x 25 inches

Susan Weil, Sitting Squarely, 2009, Acrylic on masonite, 55 x 33.5 x 3.75 inches

Susan Weil, Sitting Squarely, 2009, Acrylic on masonite, 55 x 33.5 x 3.75 inches

Sohan Qadri, Vajra, Ink and dye on paper, 39 x 27.5 inches

Sohan Qadri, Vajra, Ink and dye on paper, 39 x 27.5 inches

Anil Revri, Darwaza 2, 2009, Mixed media on canvas, 60 x 50.5 inches

Anil Revri, Darwaza 2, 2009, Mixed media on canvas, 60 x 50.5 inches

Susan Weil, Deep, 2009, Acrylic on panel, 70.25 x 51 x 6.5 inches

Susan Weil, Deep, 2009, Acrylic on panel, 70.25 x 51 x 6.5 inches

Nathan Slate Joseph, Man Red Sea, 2006, Pigment on galvanized steel, 48 x 48 inches

Nathan Slate Joseph, Man Red Sea, 2006, Pigment on galvanized steel, 48 x 48 inches

Press Release

Featuring works by Anil Revri, Natvar Bhavsar, Sohan Qadri, Kim Joon, Ricardo Mazal, Edward Burtynsky, Merrill Wagner, Hiroshi Senju, Susan Weil, Joan Vennum, Lee Waisler and Nathan Slate Joseph

Gallery Guide
新聞報刊
Gallery Guide
Lee Waisler - About Faces March 2011

For his second solo exhibition in Hong Kong, California-based American painter Lee Waisler presents a series of moving portraits of historical and contemporary figures. Having practiced abstraction for decades, Waisler returned to figuration full-force six years ago, making what he calls "dimensional portraits," combining strips of wood and blocks of color to create nuanced faces and figures.

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