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Future Perfect

January 18 – March 2, 2024

Robert Natkin, Untitled (Hitchcock), 1988, acrylic on linen, 72 x 72 inches/182.9 x 182.9 cm
Robert Natkin, Bath Apollo Series, 1978, acrylic on canvas, 32.5 x 47 inches/82.6 x 119.4 cm
Robert Natkin, Bath Apollo (Series), 1977, acrylic on linen, 48 x 72 inches/122 x 183 cm
Robert Natkin, Untitled (Hitchcock Series), 1985, acrylic on canvas, 84 x 72 inches/213.4 x 183 cm
Robert Natkin, Between the Sapphire and Sound Unfurls the Rose of, oil on canvas, 78 x 57 inches/198 x 145 cm
Robert Natkin, Ella Fitzgerald, 1991, acrylic on canvas, 65 x 48 inches/165 x 122 cm
Robert Natkin, For Gene Kelly, 1988, acrylic on mylar mounted on canvas, 59 x 40 inches/149.9 x 101.6 cm
Robert Natkin, Evening at Southport, 1994, acrylic on paper mounted on canvas, 26.5 x 40.25 inches/67 x 102 cm
Robert Natkin, Magical Evening Time, 1991, acrylic on canvas, 48 x 48 inches/122 x 122 cm
Robert Natkin, The Steps, 2005, acrylic on canvas, 48 x 60 inches/122 x 152.4 cm
Robert Natkin, Untitled, 1993, acrylic on canvas, 41 x 61 inches/104 x 155 cm
Robert Natkin, Hitchcock Series, 1988, acrylic on canvas, 70.5 x 71 inches/179 x 180.3 cm
Robert Natkin, In the Green, 1998, acrylic on canvas, 45 x 35 inches/114.3 x 89 cm
Miya Ando, Yuugure (Evening) Cloud August 27 2023 6:12:29 PM Santa Cruz, CA, 2023, dye, ink, pure micronized silver, resin & urethane on aluminum composite, 49.5 x 97.5 inches/125.7 x 247.7 cm
Miya Ando, Whitewater (The Other Shore) 11.19, 2019, ink On Aluminum Composite, 38 x 38 inches/96.5 x 96.5 cm
Miya Ando, Vespertine Clouds (Bōn) June 6 2023 8:24 PM NYC, 2023, dye, micronized pure silver, pigment, resin & urethane on aluminum, 49.6 x 97.6 inches/126 x 247.9 cm
Miya Ando, Blue Sky (Aozora) 12.8.2023 3:04:23 PM NYC, 2023, dye, pigment, resin & urethane on aluminum, 48 x 48 inches/122 x 122 cm
Miya Ando, Kumo 2.2.4, 2023, ink on aluminum composite, 25.5 x 25.5 inches/64.8 x 64.8 cm
Miya Ando, Morning Cloud (Asagumo) November 16 2023 8:13:48 AM NYC, 2023, dye, ink, pure micronized silver, resin & urethane on aluminum composite, 50 x 50 inches/127 x 127 cm
Miya Ando, Unkai (A Sea Of Clouds) May 1 2023 6:54:01PM NYC, 2023, dye, ink, pure micronized silver, resin & urethane on aluminum composite, 25.5 x 49.5 inches/64.8 x 125.7 cm
Zheng Lu, Water in Dripping, 2019, stainless steel, 37.4 x 74.8 x 24.8 inches/95 x 190 x 63 cm
Zheng Lu, Spring Breeze, 2023, stainless steel, 29.9 x 20.9 x 17.75 inches/76 x 53 x 45 cm
Zheng Lu, Silver River, 2023, stainless steel, 47.25 x 27.5 x 19.75 inches/120 x 70 x 50 cm
Zheng Lu, Ripple, 2023, stainless steel, 29.9 x 23.6 x 20.5 inches/76 x 60 x 52 cm
Hiroshi Senju, At World's End #10, 2017, acrylic and natural pigments on Japanese mulberry paper mounted on board, 89.5 x 71.6 inches/227.3 x 181.8 cm
Chun Kwang Young, Aggregation 18 - JA006 (Star 1), 2018, mixed media with Korean mulberry paper, 63 inches/160 cm tondo
Sohan Qadri, Amrita IV, 2007, ink and dye on paper, 55 x 39 inches/139.7 x 99.1 cm
Sohan Qadri, Ananda XI, 2007, ink and dye on paper, 55 x 39 inches/139.7 x 99.1 cm
Sohan Qadri, Circumambulation II, 2002, ink & dye on paper, 39 x 27 inches/99.1 x 68.6 cm
Ricardo Mazal, Ba Zasa Blue Violet 3, 2023, oil on linen, 37 x 40 inches/94 x 101.6 cm
Ricardo Mazal, Ba Zasa Green 1, 2023, oil on linen, 37 x 50 inches/94 x 127 cm
Ricardo Mazal, Ba Zasa White 5, 2023, oil on linen, 55 x 70 inches/139.7 x 177.8 cm
Karen Knorr, Amrita’s Message, Nagaur Fort, Nagaur, 2012, colour pigment print on Hahnemühle Fine Art Pearl Paper, 48 x 60 inches/122 x 152 cm
Karen Knorr, Ganesha’s Mount, Chavi Niwas, Jaipur, 2020, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 31.5 x 39.4 inches/80 x 1001.1 cm
Interloper, Sheesh Mahal, Udaipur City Palace, 2019, colour pigment print on Hahnemühle Fine Art Pearl Paper, 31.5 x 39.4 inches/80 x 100 cm
Karen Knorr, Ledoux's Reception (Musée Carnavalet), 2004, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper,35.4 x 44.25 inches/89.9 x 112.4 cm
Karen Knorr, The Battle Gallery 2 (Château de Chantilly), 2020, colour pigment print on Hahnemühle Fine Art Pearl Paper, 35.4 x 27.6 inches/90 x 70 cm
Karen Knorr, The Holding of Vigilance, Samode Palace, 2010, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 31.5 x 39.4 inches/80 x 100.1 cm
Karen Knorr, The Transgressor, Takhat Vilas, Jodhpur, 2022, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 31.5 x 39.4 inches/80 x 100.1 cm
Edward Burtynsky, Natural Order #13, Grey County, Ontario, Canada, Spring, 2020, pigment Inkjet Print on Kodak Professional Photo Paper, 48 x 64 inches/122 x 162.6 cm
Edward Burtynsky, Natural Order #18, Grey County, Ontario, Canada, Spring, 2020, pigment Inkjet Print on Kodak Professional Photo Paper, 48 x 64 inches/122 x 162.6 cm
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Press Release

We are pleased to present paintings, sculpture and photography by gallery artists. Select work offers a preview of the New York gallery’s upcoming programming, which will include solo exhibitions of new work by Chun Kwang Young, Miya Ando, Zheng Lu, Karen Knorr and our first show dedicated to work from the estate of Robert Natkin.

Our current show includes striking abstract canvases by Chicago-born artist Robert Natkin (1930–2010), whose estate the gallery now represents worldwide; sculptures by Beijing artist Zheng Lu (b. 1978, Inner Mongolia), whose most recent public installation is on view adjacent to the United Nations in New York; and work by Chun Kwang Young (b. 1944, Korea). We will be presenting Chun’s first show in New York since his solo presentation at the 2022 Venice Biennale.

The exhibition also features work by Edward BurtynskyRicardo Mazal, Sohan Qadri and Hiroshi Senju.

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