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NEW YORK

Summer Group Show

July 25 – August 22, 2025

Hiroshi Senju, At World's End #10, 2017, acrylic and natural pigments on Japanese mulberry paper mounted on board, 89.5 x 71.6 inches/227.3 x 181.8 cm
Hiroshi Senju, Waterfall on Colors, 2023, pigments on Japanese mulberry paper mounted on board, 63.8 x 89.5 inches/162.1 x 227.3 cm
Hiroshi Senju, Waterfall/Milky Way, 2024, pigments on Japanese mulberry paper mounted on board, 71.6 x 102 inches/181.8 x 259.1 cm
Matthew Kirk, The Stray Behind, 2023, mixed media on sheetrock panel in artist's frame,61 x 49 inches/154.9 x 124.5 cm
Matthew Kirk, Who Needs Tomorrow, 2024, mixed media, 42 x 66 inches/106.7 x 167.6 cm
Matthew Kirk, You Won't Catch Me Out, 2025, mixed media, 30 x 33 inches/76.2 x 83.8 cm
Chun Kwang Young, Aggregation 23 - MA047 (Star 7), 2023, mixed media with Korean mulberry paper, 33.5 x 33.5 inches/85.1 x 85.1 cm
Chun Kwang Young, Aggregation 23 - SE111, 2023, mixed media with Korean mulberry paper, 36.6 x 30.25 inches/93 x 76.8 cm
Chun Kwang Young, Aggregation 24 - FE018 (Healing), 2024, mixed media with Korean mulberry paper, 64.2 x 51.6 inches/163.1 x 131.1 cm
Robert Natkin, Bath Apollo Series, 1978, acrylic on canvas, 32.5 x 47 inches/82.6 x 119.4 cm
Robert Natkin, I Like How the Left Side Modulates Up, 1989, acrylic on canvas, 58 x 80 inches/147.3 x 203.2 cm
Robert Natkin, Lush Life, 1981, acrylic on canvas, 70 x 88.5 inches/177.8 x 224.8 cm
Ricardo Mazal, Biosa Te 2 (Violet), 2024, silk and acrylic on aluminum, 18.1 x 18.9 inches/46 x 47.9 cm
Ricardo Mazal, Gaa 4 (Green), 2024, silk and acrylic on aluminum, 18.1 x 18.9 inches/46 x 47.9 cm
Ricardo Mazal, Gashe 3 (Yellow), 2024, silk and acrylic on aluminum, 18.1 x 18.9 inches/46 x 47.9 cm
Ricardo Mazal, White Mountain 2, 2024, oil on linen, 38 x 52 inches/96.5 x 132.1 cm
Karen Knorr, Kingfishers, Château de Chambord, 2006, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 48 x 60 inches/122 x 152.4 cm
Karen Knorr, Leda's Seduction, House of the Red Walls, Pompeii, 2023, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 58 x 72.5 inches/147.3 x 184.2 cm
Karen Knorr, Salon Lilac Louis XV, Musée Carnavalet, 2004, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 48 x 60 inches/122 x 152.4 cm
Karen Knorr, The Battle Gallery 2 (Château de Chantilly), 2020, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 44.3 x 35.4 inches/112.39 x 89.92 cm
Kenny Nguyen, White Noise Series No. 4 (Diptych 2 of 2), 2025, hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 66 x 43 inches/167.6 x 109.2 cm
Kenny Nguyen, Infinity Series No. 22, 2024, hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 71 x 54 inches/180.34 x 137.16 cm
Miya Ando, January 7 2021 Matsu Pine Shou Sugi Ban Silver, 2021, reclaimed, charred pine, silver nitrate, 11 x 11 x 11 inches/27.9 x 27.9 x 27.9 cm
Miya Ando, Vestiges (Fire, Wind, Lightning) 8.16.2020, 2021, charred fir wood, silver nitrate, 8 x 8 x 8 inches/20.3 x 20.3 x 20.3 cm
Miya Ando, Spring Cloud March 2 2025 4:23 PM CT, 2025, ink on aluminum composite, 14 x 14 inches/35.6 x 35.6 cm
Miya Ando, Spring Cloud March 11 2025 4:35 PM CT, 2025, ink on aluminum composite, 14 x 14 inches/35.56 x 35.56 cm
Miya Ando, Spring Cloud March 15 2025 5:46 AM CT, 2025, ink on aluminum composite, 14 x 14 inches/35.56 x 35.56 cm
Miya Ando, Unkai (A Sea Of Clouds) April 7 2023 7:03 PM NYC, 2023, ink on aluminum composite, 60 x 60 inches/152.4 x 152.4 cm
Miya Ando, Unkai (A Sea Of Clouds) April 8 2023 7:09 PM NYC, 2023, ink on aluminum composite, 58.5 x 58.5 inches/148.6 x 148.6 cm
Miya Ando, Yuugumo (Evening Cloud) June 27 2025 7:56 PM CT, 2025, ink, micronized pure silver, resin & urethane on aluminum composite, 50 x 98 inches/127 x 248.9 cm
Steve Tobin, Steelroots, 2025, painted steel, 51"H x 88"W x 70"D/129.5 x 223.5 x 177.8 cm
Steve Tobin, Untitled, 2020, painted steel, 70.5"H x 60"W x 49"D/179.1 x 152.4 x 124.5 cm
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Press Release

We are pleased to present an exhibition of paintings, sculptures and photography by gallery artists who carry over characteristics—formal elements, techniques or subject matter—from one series to another. Whether it's expressions of fleeting natural phenomena articulated across metal, wood and glass by New York-based artist Miya Ando or sweeping gestural brushstrokes distilled into a series of intimate silk paintings by Mexican artist Ricardo Mazal, the hand of the artist is clear. 

 

THE ARTISTS

Miya Ando (b. 1973, Los Angeles), Chun Kwang Young (b. 1944, South Korea), Matthew Kirk (b. 1978, Arizona), Karen Knorr (b. 1954, Frankfurt), Ricardo Mazal (b.1950, Mexico City), Robert Natkin (1930–2010), Kenny Nguyen (b. 1990, Vietnam), Hiroshi Senju  (b. 1958, Tokyo), and Steve Tobin (b. 1957, Philadelphia).

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