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SINGAPORE

Sundaram Tagore Gallery Survey

December 3, 2020 – January 15, 2021

Chun Kwang Young, Aggregation 17 - NV093, 2017, mixed media with Korean mulberry paper, 73.2 x 60.2 inches/186 x 153 cm

Chun Kwang Young, Aggregation 17 - NV093, 2017, mixed media with Korean mulberry paper, 73.2 x 60.2 inches/186 x 153 cm

Chun Kwang Young, Aggregation 16 - JA303, 2017, mixed media with Korean mulberry paper, 46.5 x 36.2 inches/118 x 92 cm

Chun Kwang Young, Aggregation 16 - JA303, 2017, mixed media with Korean mulberry paper, 46.5 x 36.2 inches/118 x 92 cm

Edward Burtynsky, Natural Order #14, 2020, chromogenic color print, 48 x 64 inches/122 x 162.6 cm

Edward Burtynsky, Natural Order #14, 2020, chromogenic color print, 48 x 64 inches/122 x 162.6 cm

Edward Burtynsky, Natural Order #22, 2020, chromogenic color print, 48 x 64 inches/122 x 162.6 cm

Edward Burtynsky, Natural Order #22, 2020, chromogenic color print, 48 x 64 inches/122 x 162.6 cm

Golnaz Fathi, Untitled [020], 2011, pen and varnish on canvas, 70.9 x 70.9 inches/180.1 x 180.1 cm

Golnaz Fathi, Untitled [020], 2011, pen and varnish on canvas, 70.9 x 70.9 inches/180.1 x 180.1 cm

Golnaz Fathi, Untitled, 2017, acrylic, pen and varnish on canvas, 15.75 x 23.62 inches/40 x 60 cm

Golnaz Fathi, Untitled, 2017, acrylic, pen and varnish on canvas, 15.75 x 23.62 inches/40 x 60 cm

Hiroshi Senju, At World's End #5, 2017, acrylic and natural pigments on Japanese mulberry paper mounted on board, 63.8 x 63.8 inches/162 x 162 cm

Hiroshi Senju, At World's End #5, 2017, acrylic and natural pigments on Japanese mulberry paper mounted on board, 63.8 x 63.8 inches/162 x 162 cm

Hiroshi Senju, Waterfall, 2018, acrylic and natural pigments on Japanese mulberry paper, mounted on board, 55.1 x 50 inches/140 x 127 cm

Hiroshi Senju, Waterfall, 2018, acrylic and natural pigments on Japanese mulberry paper, mounted on board, 55.1 x 50 inches/140 x 127 cm

Zheng Lu, Water in Dripping No.12, 2014, stainless steel, 83 x 63 x 47 inches/210 x 160 x 120 cm

Zheng Lu, Water in Dripping No.12, 2014, stainless steel, 83 x 63 x 47 inches/210 x 160 x 120 cm

Karen Knorr, In the Mood for Love, Palazzina Cinese, 2018, colour pigment print on Hahnemühle Fine Art Pearl Paper, 39.4 x 31.5 inches/100 x 80 cm

Karen Knorr, In the Mood for Love, Palazzina Cinese, 2018, colour pigment print on Hahnemühle Fine Art Pearl Paper, 39.4 x 31.5 inches/100 x 80 cm

Karen Knorr, The Way of Ishq, Grand Mosque, Abu Dhabi, 2019, colour pigment print on Hahnemühle Fine Art Pearl Paper, 56 x 72 inches/142 x 183 cm

Karen Knorr, The Way of Ishq, Grand Mosque, Abu Dhabi, 2019, colour pigment print on Hahnemühle Fine Art Pearl Paper, 56 x 72 inches/142 x 183 cm

Karen Knorr, The Battle Gallery 2 (Château de Chantilly), 2020, colour pigment print on Hahnemühle Fine Art Pearl Paper, 35.4 x 27.6 inches/90 x 70 cm

Karen Knorr, The Battle Gallery 2 (Château de Chantilly), 2020, colour pigment print on Hahnemühle Fine Art Pearl Paper, 35.4 x 27.6 inches/90 x 70 cm

Lalla Essaydi, Harem Revisited #32, 2012, chromogenic prints mounted to aluminum with a UV protective laminate, 60 x 96 inches/152.4 x 243.8 cm

Lalla Essaydi, Harem Revisited #32, 2012, chromogenic prints mounted to aluminum with a UV protective laminate, 60 x 96 inches/152.4 x 243.8 cm

Lalla Essaydi, Les Femmes du Maroc #25b, 2006, chromogenic print mounted to aluminum with a UV protective laminate, 40 x 30 inches/101.6 x 76.2 cm

Lalla Essaydi, Les Femmes du Maroc #25b, 2006, chromogenic print mounted to aluminum with a UV protective laminate, 40 x 30 inches/101.6 x 76.2 cm

Miya Ando, Blue Green Pink Moon 9.19.42.1. M.1.2.3.G.1.L.20, 2019, pigment, resin and urethane on aluminum, 42 x 42 inches/106.7 x 106.7 cm

Miya Ando, Blue Green Pink Moon 9.19.42.1. M.1.2.3.G.1.L.20, 2019, pigment, resin and urethane on aluminum, 42 x 42 inches/106.7 x 106.7 cm

Miya Ando, Bizen Murasaki 12.19.42.48.1, 2019, pigment and urethane on aluminum, 42 x 48 inches/106.7 x 121.9 cm

Miya Ando, Bizen Murasaki 12.19.42.48.1, 2019, pigment and urethane on aluminum, 42 x 48 inches/106.7 x 121.9 cm

Sebastião Salgado, Chinstrap penguins on an iceberg, between Zavodovski and Visokoi islands. South Sandwich Islands, 2009, gelatin silver print, 36 x 50 inches/91.4 x 127 cm

Sebastião Salgado, Chinstrap penguins on an iceberg, between Zavodovski and Visokoi islands. South Sandwich Islands, 2009, gelatin silver print, 36 x 50 inches/91.4 x 127 cm

Ricardo Mazal, SP Black 6, 2019, oil on linen, 36 x 48 inches/91.4 x 121.9 cm

Ricardo Mazal, SP Black 6, 2019, oil on linen, 36 x 48 inches/91.4 x 121.9 cm

Ricardo Mazal, Praga 13, 2019, oil on linen, 36 x 38 inches/91.4 x 96.5 cm

Ricardo Mazal, Praga 13, 2019, oil on linen, 36 x 38 inches/91.4 x 96.5 cm

Sohan Qadri, Prana VI, 2006, ink and dye on paper, 39 x 55 inches/99 x 140 cm

Sohan Qadri, Prana VI, 2006, ink and dye on paper, 39 x 55 inches/99 x 140 cm

Press Release

We are pleased to present painting, sculpture and photography by gallery artists who explore both traditional themes and contemporary issues. The work spans a wide range of media—from handmade mulberry paper to laser-cut steel—yet all of the artists use visual language rooted deep in their cultural identities.
 
On view are dynamic, abstract assemblages from Korean artist Chun Kwang Young combining elements of sculpture and painting, and sublime, contemplative Waterfall and Cliff paintings by renowned Japanese painter Hiroshi Senju.

Beijing-based artist Zheng Lu's steel sculpture evoking splashes of water suspended in mid-air is composed of thousands of laser-cut Chinese characters. For his colorful large-scale canvases, Mexican-born painter Ricardo Mazal crafts his own tools and employs techniques that makes oil paint look like fabric.

The show also features light-reflecting metal tondos by Japanese-American artist Miya Ando; vibrant, tactile Tantric-inspired works on paper by celebrated Indian artist, poet and guru Sohan Qadri; and abstract paintings inspired by the rich traditions of Persian calligraphy from Iranian artist Golnaz Fathi. 

Images from leading photographers Sebastião Salgado, Karen Knorr and Lalla Essaydi are also on view alongside photographs from Edward Burtynsky’s latest series, Natural Order.

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