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LONDON

Rasa

August 13 – September 30, 2026

Karen Knorr, A Faithful Companion, Samode Palace, 2020, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 60 x 48 inches/152.4 x 122 cm
Karen Knorr, Homage to Ustad Mansur, Red Fort, Agra, 2017, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 31.5 x 39.4 inches/80 x 100.1 cm
Karen Knorr, The Return of the Hunter, Chandra Mahal, Jaipur Palace, Jaipur, 2012, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 31.5 x 39.4 inches/80 x 100.1 cm
Karen Knorr, A Moment of Solitude, Amer Fort, Amer, 2021, pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm paper, 31.5 x 39.4 inches/80 x 100 cm
Neha Vedpathak, Life Within, 2021, plucked Japanese handmade paper, acrylic paint, thread, 37 x 33 inches/94 x 84 cm
Neha Vedpathak, The more I learn, the less I know, 2021, hand-plucked Japanese handmade paper, acrylic paint, thread, 77 x 68 inches/196 x 173 cm
Neha Vedpathak, Distance/Time, 2024, hand-plucked Japanese handmade paper, acrylic paint, thread, 82 x 58 inches/208.3 x 147.3 cm
Steve McCurry, Tram, India, 1997, ultrachrome print, 30 x 40 inches/76.2 x 101.6 cm
Steve McCurry, Taj and Train, India, 1983, 30 x 40 inches/76.2 x 101.6 cm
Steve McCurry, Jodhpur Fruit Vendor, India, 1996, ultrachrome print, 30 x 40 inches/76.2 x 101.6 cm
Steve McCurry, Mother and child looking in through a taxi window, Bombay, India, 1993, ultrachrome print, 40 x 60 inches/101.6 x 152.4 cm
Steve McCurry, Boy in Mid-Flight, Jodhpur, India, 2007, 40 x 60 inches/101 x 152 cm
Steve McCurry, Girl with green shawl, Peshawar, Pakistan, 2002, ultrachrome print, 24 x 20 inches/61 x 50.8 cm
Steve McCurry, Women in a step well, Rajasthan, India, 2002, ultrachrome print, 20 x 24 inches/50.8 x 61 cm
Steve McCurry, Man with Sewing Machine, india, 1983, 30 x 40 inches/76.2 x 101.6 cm
Steve McCurry, Woman in Chand Baori Stepwell, India, 2016, 40 x 60 inches/101.6 x 152.4 cm
Steve McCurry, Train Platform at Old Delhi, India, 1983, 30 x 40 inches/76.2 x 101.6 cm
Steve McCurry, Train Station, Agra, India, 1983, 30 x 40 inches/76.2 x 101.6 cm
Steve McCurry, Rabari Shepherd, India, 2009, 30 x 40 inches/76.2 x 101.6 cm
Steve McCurry, Man Beneath Stairs, India, 2005, 30 x 40 inches/76.2 x 101.6 cm
Steve McCurry, Bicycles on Side of Train, India, 30 x 40 inches/76.2 x 101.6 cm
Steve McCurry, Red Boy, India, 1996, 24 x 20 inches/61 x 50.8 cm
Sohan Qadri, Abyss III, 2008, ink and dye on paper, 55 x 39 inches/140 x 99 cm
Sohan Qadri, Megha IV, 2010, ink and dye on paper, 39 x 55 inches/99 x 140 cm
Sohan Qadri, (Untitled), 2006, ink and dye on paper, 39 x 27 inches/99 x 69 cm
Trishla Jain, Magician, 2024, watercolor and ink on canvas, 72 x 60 inches/182.9 x 152.4 cm
Trishla Jain, Delight I, II, III, 2025, ink and watercolor on canvas, 72 x 108 inches/183 x 274.3 cm
Trishla Jain, Listening, 2023, ink and watercolor on linen, 36 x 120 inches/91.4 x 305 cm
Tayeba Lipi, My Mother's Dressing Table, 2013, stainless steel made razor blades, 37.5 x 18.5 x 39 inches/95.3 x 47 x 99 cm
Tayeba Lipi, The Italian Black Heels, 2019, stainless steel, 6 x 10 x 8 inches/15 x 25.4 x 20 cm
Tayeba Lipi, Let's Go To The Park, 2020, stainless steel, 41.7 x 18.9 x 26 inches/106 x 48 x 66 cm

About This Exhibition

The Sanskrit word rasa, meaning “flavor,” “essence,” or “taste,” is at the heart of an ancient Indian theory of aesthetics that explores the emotional experience of art. First articulated more than two thousand years ago, the concept describes rasa not simply as the emotion expressed by an artist or depicted in a work, but as the feeling that arises through the viewer’s encounter with it—the dynamic exchange between artist, artwork, and audience.

 

Bringing together paintings, sculptures, and photographs by a global group of artists, this exhibition takes rasa as a point of departure, highlighting artists whose work has the power to elicit a wide range of emotional responses. Through color, form, material, and imagery, they invite viewers to slow down, look closely, and experience the work on an emotional as well as a visual level.

 

Sundaram Tagore Gallery has long engaged with artists from or inspired by the Indian Subcontinent whose practices explore the human experiences that connect us to one another and to the wider world. From acclaimed Indian artist Sohan Qadri, who incorporated Tantric symbolism and philosophy into his vibrantly colored minimalist works, to London-based American photographer Karen Knorr, whose sumptuous images celebrate the rich visual culture of northern India, each employs a unique visual language that is rooted in tradition yet wholly modern. Together, the works in this exhibition not only evoke rasa, but embody the richness and diversity of artistic practices emerging from and inspired by the region.

 

Exhibiting artists include Trishla Jain (b. 1985, India), Karen Knorr (b. 1954, Germany), Tayeba Begum Lipi (b. 1969, Bangladesh), Steve McCurry (b. 1950, United States), Sohan Qadri (b. 1932, India – d. 2011), and Neha Vedpathak (b. 1982, India).

 

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