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SINGAPORE

Spring 2022 Group Show: Singapore

April 8 – May 28, 2022

Hiroshi Senju, Waterfall, 2014, acrylic and fluorescent pigments on Japanese mulberry paper, 162 x 455 cm (63.8 x 179 inches)
Susan Weil, Figure Turning, 2008, acrylic on multiple canvases, 152.4 x 152.4 cm (60 x 60 inches)
Lalla Essaydi, Harem Revisited #47, 2013, chromogenic prints mounted to aluminum with a UV protective laminate, 101.6 x 228.6 cm (40 x 90 inches)
Ricardo Mazal, Marzo 29.05, 2005, oil on linen, 137.2 x 162.6 cm (54 x 64 inches)
Ricardo Mazal, Silence For Sofi 5, 2021, oil on linen, 101.6 x 112 cm (40 x 44 inches)
Susan Weil, Awing, 2018, acrylic, fabric collage, found paintings on canvas, 63.5 x 50.8 cm (25 x 20 inches)
Ricardo Mazal, Full Circle P 19, 2021, oil on linen, 185.4 x 284.5 cm (73 x 112 inches)
Tayeba Lipi, The Italian Black Heels, 2019, stainless steel, 15.2 x 25.4 x 20.3 cm (6 x 10 x 8 inches)
Karen Knorr, The Opium Smoker, Chitrasala, Bundi, 2017, colour pigment print on Hahnemühle Fine Art Pearl Paper, 80 x 100 cm (31.5 x 39.4 inches)
Karen Knorr, A Faithful Companion, Samode Palace, 2020, colour pigment print on Hahnemühle Fine Art Pearl Paper, 80 x 100 cm (31.5 x 39.4 inches)
Karen Knorr, A Place Like Amravati 2, Udaipur City Palace, 2011, colour pigment print on Hahnemühle Fine Art Pearl Paper, 80 x 100 cm (31.5 x 39.4 inches)
Karen Knorr, Interloper, Sheesh Mahal, Udaipur City Palace, 2019, colour pigment print on Hahnemühle Fine Art Pearl Paper, 80 x 100 cm (31.5 x 39.4 inches)
Susan Weil, Standing Figure, 1967, acrylic on Plexiglas, 123.2 x 165.1 cm (48.5 x 65 inches)
Golnaz Fathi, Untitled [009], 2012, pen and varnish on canvas, 44.96 x 540 cm (17.8 x 212.6 inches)
Chun Kwang Young, Aggregation 16 - NV092, 2016, mixed media with Korean mulberry paper, 151 x 151 cm (59.4 x 59.4 inches)
Chun Kwang Young, Aggregation 20 - JA004, 2020, mixed media with Korean mulberry paper, 131 x 115 cm (51.6 x 45.3 inches)
Miya Ando, October Cloud 2.2.3, 2018, ink and dye on aluminum composite, 61 x 61 cm (24 x 24 inches)
Miya Ando, Gekkou Moonlight September 7, 2017, silver leaf and pigment on Arches paper, 115.6 x 87.6 cm (45.5 x 34.5 inches)
Miya Ando, Gekkou Moonlight September 6, 2017, silver leaf and pigment on Arches paper, 115.6 x 87.6 cm (45.5 x 34.5 inches)
Miya Ando, Gekkou Moonlight October 12, 2017, silver leaf and pigment on Arches paper, 115.6 x 87.6 cm (45.5 x 34.5 inches)
Miya Ando, Kasumi Mist February 2.2.8, 2017, dye, pigment, resin and urethane on aluminum, 61 x 61 cm (24 x 24 inches)
Miya Ando, Blue Moon 2.2, 2017, dye, pigment, resin and urethane on stainless steel, 61 cm tondo (24 inches tondo)
Miya Ando, Dark Indigo Silver, 2018, pigment, resin, silver and urethane on aluminum, 183 x 122 cm (72 x 48 inches)
Miya Ando, Kasumi Mist 4.4.6, 2017, dye, resin and urethane on aluminum, 122 x 122 cm (48 x 48 inches)
Miya Ando, Evanescent Spring Blue Green, 2015, urethane and pigment on aluminum, 91.5 x 183 cm (36 x 72 inches)
Miya Ando, Dawn 3.3.1, 2018, pigment, resin and urethane on aluminum, 101.6 x 101.6 cm (40 x 40 inches)
Spring 2022 Group Show: Singapore
Spring 2022 Group Show: Singapore
Spring 2022 Group Show: Singapore
Spring 2022 Group Show: Singapore
Spring 2022 Group Show: Singapore
Spring 2022 Group Show: Singapore
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