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SINGAPORE

What Lingers

October 30 – December 31, 2026

Hiroshi Senju, At World's End #25, 2017, pigments on Japanese mulberry paper mounted on board, 45.9 x 28.6 inches/117 x 73 cm
Peihang Benoit, Let's Go for a Great Hike in the Snow, 2024, oil, oil stick, and acrylic on linen, 63 x 47.2 inches/160 x 120 cm
Kenny Nguyen, Encounter Series No. 68, 2026, hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 60 x 102 inches/152 x 259 cm
Karen Knorr, In the Green Room, Wallace Collection, London, England, 2021, colour pigment print on Hahnemühle FineArt Photo Paper, 52 x 50 inches/133 x 127 cm
Zheng Lu, Water in Dripping - Jump, 2022, stainless steel, 35.8 x 41.7 x 26.8 inches/91 x 106 x 68 cm
Zheng Lu, Water in Dripping - Glide Wave, 2026, stainless steel, 14.6 x 21.3 x 21.7 inches/37 x 54 x 55 cm
Zheng Lu, Water in Dripping - Transparent Rivulet, 2025, stainless steel, 49.2 x 27.6 x 22.8 inches/125 x 70 x 58 cm
Zheng Lu, Undercurrent, 2023, stainless steelm, 23.6 x 16.5 x 12.6 inches/60 x 42 x 32 cm
Judith Murray, Departure, 2026, oil on linen, 30 x 34 inches/76.2 x 86.4 cm
Judith Murray, Lookout, 2008, oil on linen, 38 x 42 inches/96.5 x 106.7 cm
Robert Yasuda, Alliance, 2021, acrylic and fabric on wood, 66 x 42 inches/167.6 x 114.3 cm
Robert Yasuda, Accord II, 2009, acrylic polymer on fabric on wood, 40 x 38 inches/102 x 96.5 cm
Robert Natkin, Untitled, 1974, acrylic on canvas, 20.75 x 30.5 inches/53 x 77.5 cm
Robert Natkin, A Quiet Conversation for V and T, 1993, acrylic on canvas, 17 x 46 inches/43.2 x 116.8 cm
Neha Vedpathak, Keep Calm (one foot after another), 2020, hand-plucked Japanese handmade paper, acrylic paint, thread, 38 x 31 inches/96 x 78 cm
Neha Vedpathak, Blue Collar, 2018, plucked Japanese handmade paper, acrylic paint, thread, 16 x 28 inches/40.6 x 71 cm
Miya Ando, Evening Cloud (Yuugumo) February 3 2023 6:01 PM NYC, 2023, ink, micronized pure silver, resin & urethane on aluminum composite, 41.5 inches/105 cm tondo
Miya Ando, Asayakegumo (Dawn Clouds) Midspring, 2026, micronized pure silver, pigment & urethane on aluminum, 38 x 57 inches/96.5 x 145 cm
Miya Ando, Itomizu (Thread Water/ Raindrops That Fall Like Threads From The Eaves), 2023, natural indigo dye, micronized pure silver, graphite, Kozo paper, 39 x 39 inches/99 x 99 cm
Miya Ando, Oborozuki (Moon Obscured By Mist) Kakejiku 2, 2025, ink, micronized pure silver, resin & urethane on aluminum composite, 50 x 18 inches/127 x 46 cm
Karen Knorr, Only Once, Obai-in, Kyoto, 2017, colour pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm, 21.3 x 31.5 inches/54.1 x 80 cm
Karen Knorr, Emptiness No Other Than Form, Obai-in, Kyoto, 2017, colour pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm, 21.3 x 31.5 inches/54.1 x 80 cm
Karen Knorr, Path To Enlightenment, Meiji Jingu Shrine Tokyo, 2015, colour pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm, 21.3 x 31.5 inches/54.1 x 80 cm
Karen Knorr, Every Encounter Treasured, Obai-in, Kyoto, 2017, colour pigment print on Hahnemühle FineArt Photo Rag Baryta 315gsm, 28.9 x 43.3 inches/73.4 x 110 cm
What Lingers
What Lingers
What Lingers
What Lingers
What Lingers
What Lingers
What Lingers
What Lingers

About This Exhibition

Bringing together paintings, sculptures, and photographs by gallery artists, What Lingers considers how form, light, color, material, and gesture can evoke powerful reactions that continue to reverberate in memory long after the moment of encounter.

 

From visceral, atmospheric impressions of falling rain captured in natural indigo dye on paper to sensuous, abstract paintings made from hand-torn strips of silk that carry cultural memory, the works in the exhibition transform poetic visual expressions into sensory echoes that linger beyond the act of looking.

 

Artists include Miya Ando (b. 1973, Los Ageles), Karen Knorr (b. 1954, Germany), Zheng Lu (b. 1978, Inner Mongoia), Judith Murray (b. 1941, New York), Robert Natkin (1930–2010), Kenny Nguyen (b. 1990, Vietnam), Neha Vedpathak (b. 1982, India), Robert Yasuda (b. 1940, Hawaii), and Peihang Benoit (b. 1984, Taiwan).

 

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