Miya Ando

Works by Miya Ando are on view at the Yves St. Laurent Rive Droite boutique in Beverly Hills.

Joan Duncan Oliver talks with gallery artist Miya Ando about her creative practice, including new work, recent public projects and a upcoming book to be published in the fall. 

Sundaram Tagore Gallery presents an immersive new installation by Miya Ando at Art Stage Singapore 2025.

By juxtaposing the polarities from our material and immaterial worlds, Miya Ando’s works epitomize a collective and universal purpose where ‘art is a silent and elegant dialogue’.

Sundaram Tagore Gallery’s show, A Room Of Her Own, features Anila Quayyum Agha, Tayeba Lipi, Lalla Essaydi, Karen Knorr, Miya Ando, Neha Vedpathak, Jane Lee and Susan Weil.

A conversation with artist Miya Ando.

Ando looked to her Japanese heritage and the architecture of the Japanese Chashitsu (Tea Room), which dates back over 1,000 years to create a Moon Meditation Hut of linen sheets dyed blue with Indigo ink with a bright white full moon beaming at the center.  

Speaking to Nature's seasons.

East and West converge in different ways in the work of Miya Ando and Jiha Moon, two Asia-rooted female artists who have shows in adjacent galleries at the American University Museum. 

Miya Ando’s work is showcased in a chic Paris apartment designed by Laura Gonzalez.

Miya Ando describes her works as “studies in nothingness.” Raised partly in a secluded Buddhist temple in Okayama, Japan, she says her spiritual practice informs her exploration of simplicity and reduction.

Writer Muhammad Yusuf reports on Sundaram Tagore Gallery from Art Dubai

There is something quite surprising about Miya Ando, the latest artist to have a solo show with Sundaram Tagore Gallery in New York.

By brushing layers of urethane and pigment onto sheets of aluminum, Miya Ando created ninety new abstract works for an exhibition at both of Sundaram Tagore Gallery's locations, in Hong Kong and Singapore.

The work of New York-based artist Miya Ando has been guided by strong family relationships, a deep connection to nature, and time spent living in a Buddhist temple.

Not quite Superwoman, but every bit a woman of steel, artist Miya Ando is best known for her metalwork in the form of anodized aluminium that is hand-dyed to achieve beautiful end results; work that is industrial and ephemeral at the same time.

The David Lynch Foundation, which supports programs that promote transcendental meditation, talks with artist Miya Ando in her New York studio.

It really is a wonderful feeling to step into a gallery exhibition and be immediately set at ease by the imagery and colours of the paintings on the walls. So it was with Miya Ando's work in her most recent exhibition entitled Light Metal.

The half-Russian, half-Japanese artist, Miya Ando, first discovered her affinity for metal in a university welding class. She attributes it to the fact that her Japanese ancestors were Bizen swordmakers over a century ago.

Brooklyn-based artist Miya Ando shares the unusual combination of traditional Japanese techniques and individual innovations that went into creating her recent body of work, displayed in her first solo exhibition “Light Metal” in Hong Kong.

In her solo exhibition at Sundaram Tagore Gallery, Ando has a selection of her abstract paintings on burnished steel and anodised aluminium.

Half-Japanese, half-Russian/American metalsmith Miya Ando makes art through alchemy. A recent set of her wall paintings, which emit a “ghostly halo” through phosphorescent pigments painted under the dyes, will be shown at the Sundaram Tagore gallery in Hong Kong throughout February.

Brooklyn-based curator Jason Andrew's global selection of paintings, photographs, films, and painted constructions set out to recast the often limiting idea of what a "lady" should be.

The up-and-coming New York-based artist exhibits new works in her first Hong Kong solo exhibition.

Tricycle Magazine profiles artist Miya Ando, who talks about her practice, her creative vision, and how her heritage informs into her work.

Miya Ando, an artist whose solo show Impermanence recently opened at New York’s Sundaram Tagore Gallery, is a product of two worlds. The daughter of a Russian (via California) Jewish father and Japanese Buddhist mother, she grew up in a temple and didn’t learn English until she was seven years old.

New York-based artist Miya Ando is currently having her first solo exhibition at Sundaram Tagore Gallery in New York, showcasing her signature burnished steel and anodized aluminum works that deftly tie together abstraction, industrial fabrication, spiritual subject matter, and the lessons of American minimalism.

Move over, Man of Steel. There’s a new superhero in the city. Her ancestors were swordsmiths. Her mission? To embrace the alchemy of metal. To manipulate steel and aluminum into forms beyond recognition. To create deceptively simple postminimalist art.

Opening on International Women’s Day, the 8 Women/8 Stories exhibit at Hong Kong’s Sundaram Tagore Gallery was conceived as an accolade to the eight female artists who contribute to the show’s interwoven narrative.