Biography

A descendant of Bizen sword makers, New York-based artist Miya Ando spent her childhood among Buddhist priests in a temple in Okayama, Japan, and later, in California. Best known for her sublime metal paintings, Ando combines the traditional techniques of her ancestry with modern industrial technology, skillfully transforming sheets of metal into ephemeral, abstract paintings suffused with color.


The focus of Ando’s artistic practice is the intrinsic connection between the human sphere and the natural world. “My interest is in creating work that allows viewers to experience a relationship to nature and to be truly in the moment as they encounter the transitory qualities of light,” Ando says. “I want to draw people into a slowed-down environment with work that is experiential and employs the visual vocabulary of natural phenomena and transformation.”


Transformation—both in the physical and the metaphysical sense—is the unifying element in all of Ando’s work. To produce the light-reflecting gradients on her metal paintings, Ando applies heat, sandpaper, grinders, acid and patinas to the metal canvases, irrevocably altering the material’s chemical properties. It’s by an almost meditative daily repetition of these
techniques that Ando is able to subtract, reduce and distill her concept until it reaches its simplest form. The resulting works explore the duality of metal and its ability to convey strength and permanence, yet in the same instance, capture the fleetingness of light and the transitory nature of all things.


Miya Ando has a Bachelor of Arts degree in East Asian Studies from the University of California, Berkeley, and attended Yale University to study Buddhist iconography and imagery. She apprenticed with the master metalsmith Hattori Studio in Japan, followed by a residency at Northern California’s Public Art Academy. Her work has been shown worldwide, including at the de Saisset Museum, Santa Clara University, California; in a show curated by Nat Trotman of the Guggenheim Museum; and in an exhibition at the Queens Museum, New York. In 2015, a large-scale installation, Emptiness the Sky (Shou-Sugi-Ban), was included in Frontiers Reimagined, a collateral event of the 56th Venice Biennale.


Miya Ando has produced numerous public commissions, most notably a thirty-foot-tall sculpture in London built from World Trade Center steel to mark the ten-year anniversary of 9/11, for which she was recently nominated for a DARC Award in Best Light Art Installation. Awards include the Pollock-Krasner Foundation Grant, 2012.


Born in Los Angeles, 1973 | Lives and works in New York

Elle Decoration
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Elle Decoration
Lumière sur la Ville October 2017

Miya Ando’s work is showcased in a chic Paris apartment designed by Laura Gonzalez.

Artsy
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Artsy
From Kusama to Turrell, 9 Artists Who Made Perfect Spaces for Meditation July 2017

Miya Ando describes her works as “studies in nothingness.” Raised partly in a secluded Buddhist temple in Okayama, Japan, she says her spiritual practice informs her exploration of simplicity and reduction.

The Gulf Today
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The Gulf Today
Drawing People Together March 2017

Writer Muhammad Yusuf reports on Sundaram Tagore Gallery from Art Dubai

Ocula
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Ocula
Miya Ando at Sundaram Tagore Gallery, New York July 12, 2016

There is something quite surprising about Miya Ando, the latest artist to have a solo show with Sundaram Tagore Gallery in New York.

Artforum
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Artforum
Reviw: Miya Ando, Sora/Ku October 26, 2015

By brushing layers of urethane and pigment onto sheets of aluminum, Miya Ando created ninety new abstract works for an exhibition at both of Sundaram Tagore Gallery's locations, in Hong Kong and Singapore.

Artnet
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Artnet
Artist Miya Ando on Growing Up and Working Hard September 2015

The work of New York-based artist Miya Ando has been guided by strong family relationships, a deep connection to nature, and time spent living in a Buddhist temple.

Straatosphere Magazine
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Straatosphere Magazine
Miya Ando: Woman of Steel July 2014

Not quite Superwoman, but every bit a woman of steel, artist Miya Ando is best known for her metalwork in the form of anodized aluminium that is hand-dyed to achieve beautiful end results; work that is industrial and ephemeral at the same time.

David Lynch Foundation
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David Lynch Foundation
July 2014

The David Lynch Foundation, which supports programs that promote transcendental meditation, talks with artist Miya Ando in her New York studio.

Asian Art News
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Asian Art News
Miya Ando at Sundaram Tagore Gallery March/April 2014

It really is a wonderful feeling to step into a gallery exhibition and be immediately set at ease by the imagery and colours of the paintings on the walls. So it was with Miya Ando's work in her most recent exhibition entitled Light Metal.

The Standard
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The Standard
Steeling the show March 2014

The half-Russian, half-Japanese artist, Miya Ando, first discovered her affinity for metal in a university welding class. She attributes it to the fact that her Japanese ancestors were Bizen swordmakers over a century ago.

Art Radar Asia
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Art Radar Asia
Woman of Steel: Miya Ando’s solo debut in Hong Kong March 2014

Brooklyn-based artist Miya Ando shares the unusual combination of traditional Japanese techniques and individual innovations that went into creating her recent body of work, displayed in her first solo exhibition “Light Metal” in Hong Kong.

South China Morning Post / 48 Hours
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South China Morning Post / 48 Hours
When many layers make light work February 2014

In her solo exhibition at Sundaram Tagore Gallery, Ando has a selection of her abstract paintings on burnished steel and anodised aluminium.

Wired
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Wired
Softer Metal February 2014

Half-Japanese, half-Russian/American metalsmith Miya Ando makes art through alchemy. A recent set of her wall paintings, which emit a “ghostly halo” through phosphorescent pigments painted under the dyes, will be shown at the Sundaram Tagore gallery in Hong Kong throughout February.

ARTnews
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ARTnews
To Be A Lady: review February 2014

Brooklyn-based curator Jason Andrew's global selection of paintings, photographs, films, and painted constructions set out to recast the often limiting idea of what a "lady" should be.

Hong Kong Tatler
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Hong Kong Tatler
Miya Ando at Sundaram Tagore Gallery January 2014

The up-and-coming New York-based artist exhibits new works in her first Hong Kong solo exhibition.

Tricyle Magazine
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Tricyle Magazine
The Alchemist August 2013

Tricycle Magazine profiles artist Miya Ando, who talks about her practice, her creative vision, and how her heritage informs into her work.

 

The Jewish Daily Forward
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The Jewish Daily Forward
Searching For Impermanence July 2013

Miya Ando, an artist whose solo show Impermanence recently opened at New York’s Sundaram Tagore Gallery, is a product of two worlds. The daughter of a Russian (via California) Jewish father and Japanese Buddhist mother, she grew up in a temple and didn’t learn English until she was seven years old.

Blouin Artinfo
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Blouin Artinfo
Miya Ando's Burnished Metals At Sundaram Tagore New York July 2013

New York-based artist Miya Ando is currently having her first solo exhibition at Sundaram Tagore Gallery in New York, showcasing her signature burnished steel and anodized aluminum works that deftly tie together abstraction, industrial fabrication, spiritual subject matter, and the lessons of American minimalism.

Newsweek
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Newsweek
Mighty MIYA June 2013

Move over, Man of Steel. There’s a new superhero in the city. Her ancestors were swordsmiths. Her mission? To embrace the alchemy of metal. To manipulate steel and aluminum into forms beyond recognition. To create deceptively simple postminimalist art.

Surface Asia
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Surface Asia
Brevity and Light March 2013

Opening on International Women’s Day, the 8 Women/8 Stories exhibit at Hong Kong’s Sundaram Tagore Gallery was conceived as an accolade to the eight female artists who contribute to the show’s interwoven narrative.

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