Lee Waisler is a Los Angeles-based artist who paints seductively beautiful images using a rich variety of materials, each replete with cross-cultural symbols and references. Having practiced abstraction for decades, he returned to figuration full force about four years ago by launching a series of moving portraits of historical and contemporary figures. A deep empathy for the human spirit lies at the core of Lee Waisler's portraiture. "I cannot but paint humanity," says Waisler. "While several of my portraits are of people who are no longer alive, they have all cast luminous shadows much like starkly placed lights on a deeply darkened road." In this new series of portraits, the artist presents a global group of iconic figures spanning different disciplines. Each of these portraits is a reminder of how a single individual can change the way society thinks.
Exhibition curator Sundaram Tagore says, "These are portraits of people who have expanded our understanding of the world. They are historic and cultural figures such as Albert Einstein, Louis Armstrong and Toni Morrison." This new series of works being unveiled in Los Angeles features a series of contemporary subjects including the Pritzker Architecture Prize-winning architect I.M. Pei; Grammy Award-winning composer and recording artist Yusef Lateef and Leonard Cohen, the renowned musician and poet. Often reaching six feet in height, these portraits possess a monumental and haunting quality.
Waisler's earliest works, which date to the 1960s, were socially and politically charged. He tackled historical events such as the Holocaust, the Vietnam War, and the civil rights movement. Gradually, he became fascinated with Eastern philosophy, and his paintings became increasingly abstract. A journey to India, at the invitation of then Prime Minister I. K. Gujral in the mid-nineties, was a turning point. Waisler became acutely aware of the struggle for survival in a deprived country. He discovered the power of humanity. "The people were seared in my heart and mind," he says. After this experience, he felt compelled to move away from pure abstraction and incorporate figuration.
Never quite abandoning abstraction, however, he began creating tactile works that he calls "dimensional portraits." His œuvre shifted into a new key. Layering his canvases with thick pigments, he incorporates organic materials for their innate associative values: sand for time, wood for life, and glass for light. With strips of wood and blocks of color, he creates finely nuanced faces and figures.
Waisler's work is in some of the most influential museum collections in the world, including those of the Metropolitan Museum of Art, New York; the Victoria and Albert Museum, London; The Tel Aviv Museum of Art; the Brooklyn Museum of Art; The Smithsonian Institution, Washington D.C.; The Bibliothèque Nationale, Paris; the National Gallery of Art, New Delhi; and The Indian Museum, Calcutta.
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Waisler known for his socially and politically charged works deal with the Holocaust, Vietnam War and the civil rights movement. His works soon began to reflect his growing interest in Eastern philosophy, and accordingly, became increasingly abstract. It was after Waisler's journey to India in the mid-90s that his works moved toward figuration and away from pure abstraction.
There are about 20 portraits of famous individuals arriving at Hollywood Road painted by the American artist Lee Waisler. The subject of these paintings are distinguished people from various fields. But the most striking characteristic of these paintings is the artist's usage of mixed materials -such as wooden sticks, sand and glass onto the thick acrylic paints- to allow the painting to present a totally different texture from the traditional paintings.
For his second solo exhibition in Hong Kong, California-based American painter Lee Waisler presents a series of moving portraits of historical and contemporary figures. Having practiced abstraction for decades, Waisler returned to figuration full-force six years ago, making what he calls "dimensional portraits," combining strips of wood and blocks of color to create nuanced faces and figures.
In recognition of those who contributed themselves to creating a better environment for the human race, California-based American painter Lee Waisler is presenting a series of moving portraits of historical and contemporary figures in About Faces, his second solo exhibition in Hong Kong.
Very large close-ups of faces greeted viewers entering Lee Waisler's recent show . . . It is often said that a portrait is as much a picture of the artist as of the sitter, and through his selection Waisler implies that their collective outlook on life is indeed is own philosophic self-portrait.
