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SINGAPORE

Summer Group Show

June 26 – August 7, 2026

Miya Ando, Moon Ensō (Engessō 円月相), 2024, printed silk chiffon panels, 131.9 x 236.2 x 236.2 inches/335 x 600 x 600 cm
Hiroshi Senju, Waterfall on Colors, 2022, pigments on Japanese mulberry paper mounted on board, 63.8 x 89.5 inches/162 x 227 cm
Hiroshi Senju, At World's End #14, 2017, acrylic and natural pigments on Japanese mulberry paper mounted on board, 76.3 x 102 inches/194 x 259 cm
Neha Vedpathak, Growth in Times of Death and Horror, 2021, plucked Japanese handmade paper, acrylic paint, thread, acrylic polymer, 54 x 62 inches/137.2 x 157.5 cm
Jane Lee, Horizon's Fold #2, 2025-26, acrylic paint, gel on fibreglass base, 31.5 x 23.6 x 1.2 inches/80 x 60 x 3 cm
Jane Lee, Horizon's Edge #2, 2025-26, acrylic paint, gel, canvas fibreglass, 53.5 x 15.7 x 2.4 inches/136 x 40 x 6 cm
Jane Lee, Horizon's Fold #1, 2025-26, acrylic paint, gel on fibreglass base, 31.5 x 23.6 x 1.2 inches/80 x 60 x 3 cm
Jane Lee, Horizon's Fold #3, 2025-26, acrylic paint, gel on fiberglass base, 31.5 x 23.6 x 1.2 inches/80 x 60 x 3 cm
Sohan Qadri, Sriti IV (small green), 1997, ink and dye on paper, 23.25 x 29.25 inches/59 x 74.3 cm
Sohan Qadri, Initiation II, 1996, ink and dye on paper, 31 x 19 inches/78.7 x 48.3 cm
Sohan Qadri, Dan II, 2007, ink and dye on paper, 55 x 39 inches/139.7 x 99.1 cm
Golnaz Fathi, Untitled [020], 2011, pen and varnish on canvas, 70.9 x 70.9 inches/180 x 180 cm
Nathan Slate Joseph, Arrested Memories II, 2006, pure pigment on steel, 60 x 60 inches/152.4 x 152.4 cm
Kenny Nguyen, Homeland Series No. 19, 2024, hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 72 x 52 inches/183 x 132 cm
Zheng Lu, Ripple, 2023, stainless steel, 29.9 x 23.6 x 20.5 inches/76 x 60 x 52 cm
Zheng Lu, Water in Dripping - Surf, 2024, stainless steel, 52.4 x 37.4 x 33.9 inches/133 x 95 x 86 cm
Ricardo Mazal, Full Circle P 19, 2021, oil on linen, 73 x 112 inches/185.4 x 284.5 cm
Ricardo Mazal, Diamond 2, 2021, oil on linen, 56 x 60 inches/142 x 152.4 cm
Robert Natkin, The White Dove, 2005, acrylic on canvas, 40 x 65.25 inches/101.6 x 165.7 cm
Robert Natkin, Good Prospects, 1987, acrylic on canvas, 44 x 33 inches/111.7 x 83.8 cm
Miya Ando, Hamon (Cloudlike Pattern On The Edge Of A Sword) Mist 5.28.24, 2024, dye, pigment, resin & urethane on aluminum, 24 x 48 inches/61 x 122 cm
Miya Ando, Layers of The Color of Young Sprouts Under The Sky (Wakanae), 2024, dye, pigment, resin & urethane on aluminum, 30 x 60 inches/76 x 152 cm
Miya Ando, Hamon (Cloud-like Pattern) Sumire Violet Flower, 2024, dye, pigment, resin & urethane on aluminum, 24 x 48 inches/61 x 122 cm
Miya Ando, Chou-Un (Clouds That Resemble A Flock Of Birds Covering The Sky) January 20 2025 Tokyo 4:22 PM, 2025, micronized pure silver, pigment, resin & urethane on aluminum, 48 x 48 inches/122 x 122 cm
Miya Ando, Unkan (Ma or Empty Space Between The Clouds) February 4 2025 1:22 PM NYC, 2025, ink on aluminum composite, 32 x 32 inches/81.3 x 81.3 cm
Miya Ando, Unkan (Ma or Empty Space Between The Clouds) February 14 2025 3:35 PM NYC, 2025, ink on aluminum composite, 32 x 32 inches/81.3 x 81.3 cm
Miya Ando, Unkan (Ma or Empty Space Between The Clouds) February 18 2025 3:54 PM NYC, 2025, ink on aluminum composite, 32 x 32 inches/81.3 x 81.3 cm
Miya Ando, Unkan (Ma or Empty Space Between The Clouds) February 18 2025 12:11 PM NYC, 2025, ink on aluminum composite, 32 x 32 inches/81.3 x 81.3 cm

About This Exhibition

We are pleased to present paintings, sculptures, and installations by gallery artists. Spanning a wide range of media—from layered translucent canvas that captures and emits light to gleaming stainless steel cast into fluid forms—the work in this show reflects the gallery’s longstanding commitment to cross-cultural dialogue, material innovation, and presenting compelling perspectives from around the world.

 

The exhibition features a large-scale, immersive installation by Miya Ando (b. 1973, Los Angeles) titled Moon Ensō (Engessō 円月相). Representing a complete lunar cycle, the towering circular sculpture comprises twenty-nine translucent panels of silk chiffon printed with an image of the moon at every phase, beginning and ending with the new moon. A solo show of new color-suffused paintings on metal by Ando is currently on view at Sundaram Tagore London through August 8. 

 

The exhibiting artists include Miya Ando (b. 1973, Los Angeles), Golnaz Fathi (b. 1972, Iran), Jane Lee (b. 1963, Singapore), Ricardo Mazal (b. 1950, Mexico City), Robert Natkin (b. 1930, Chicago; d. 2010), Udo Nöger (b. 1961, Germany), Kenny Nguyen (b. 1990, Vietnam), Sohan Qadri (b. 1932, India; d. 2011), Hiroshi Senju (b. 1958, Tokyo), Zheng Lu (b. 1978, China), Robert Yasuda (b. 1940, Hawaii), and Neha Vedpathak (b. 1982, India), whose upcoming solo show of tactile abstract paintings opens at Sundaram Tagore Singapore August 15. 

 

 

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